"Spiral Jetty epitomizes the unpredictability of land art. A couple of years after its debut, it was submerged in the lake, and it largely remained so until 2002, when, as the lake receded because of drought, the sculpture re-emerged."
"For The Lightning Field, Walter De Maria arranged 400 stainless steel poles in a one-mile-by-one-kilometer grid on a remote expanse in New Mexico. The more ordinary, extraordinary events are sunrise and sunset, Govan says. It's like God flipped a switch."
"By the time City opened in 2022, it had been under construction for 50 years and achieved near-mythological status. Critics likened aspects of Michael Heizer's nearly mile-and-a-half-long, half-mile-wide complex to Teotihuacan and Luxor."
Spiral Jetty, created by Robert Smithson, is a significant land art piece located at Utah's Great Salt Lake. It consists of 6,000 tons of earth and basalt rock, stretching 1,500 feet long. The artwork was submerged shortly after its completion but re-emerged in 2002 due to drought. Kevin Beasley emphasizes the unpredictability of land art, comparing it to observing wildlife. Michael Govan highlights the importance of light in land art, referencing Walter De Maria's The Lightning Field, which features poles designed to attract lightning. City, by Michael Heizer, took 50 years to complete and draws comparisons to ancient sites.
Read at www.nytimes.com
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