Color as thunder: LeRoy Neiman and the American arena | amNewYork
Briefly

Color as thunder: LeRoy Neiman and the American arena | amNewYork
Neiman’s work rejects polite studio restraint and instead channels the intensity of public performance. It evokes Hemingway-like scenes of danger, speed, and bodily immediacy, from bulls and prizefighters to racehorses and cliff divers. His significance extends beyond masculine bravado into modern image-making, combining Baroque theatrical force, Rubens’s voluptuous power, Tintoretto’s spatial drama, and Fragonard’s atmospheric pleasure. Those influences are redirected into racetracks, fights, regattas, Olympic arenas, casinos, nightclubs, and smoky after-hours rooms. The paintings often appear celebratory, but they function as studies of pressure, showing subjects poised at the edge of control. Human character is revealed most honestly in performance, whether before crowds or in private ambition.
"He understood that human beings reveal themselves most honestly in performance, whether beneath stadium lights, before a crowd, inside an arena, or alone in the brutal privacy of ambition. Photo: Park West Gallery Archive Formally, his pictures carry the intelligence of abstraction while refusing to surrender the figure."
Read at www.amny.com
Unable to calculate read time
[
|
]