
"Digital by Nature: The Art of Miguel Chevalier at Kunsthalle München presents the artist's largest solo exhibition in Europe to date, curated by Franziska Stöhr. The exhibition surveys Miguel Chevalier's practice from the early 1980s to the present, tracing his sustained engagement with digital technologies as both tools and subjects of artistic inquiry. Born in 1959 in Mexico City and based in Paris, Chevalier has worked with computers as a creative medium for more than four decades."
"The exhibition brings together approximately 120 works that reflect the evolution of his approach, from early experiments with pixels, binary code, and algorithmic systems to recent projects that explore the intersections of digital and analog processes, technology and nature, and human interaction with computational environments."
"Large-scale generative and interactive installations form a central component of the exhibition. In these works, algorithmic systems continuously generate visual compositions that respond to visitors' movements, establishing a reciprocal relationship between human presence and machine-driven processes. These installations are accompanied by compositions by Jacopo Baboni Schilingi, which further structure the spatial and sensory experience."
Miguel Chevalier's work spans from the early 1980s to the present and centers on sustained experimentation with computers, algorithms, and digital systems as creative media. Approximately 120 works trace the evolution from pixel- and code-based experiments to projects integrating digital and analog processes, recycled materials, machine-produced textiles, and AI-generated video. Large-scale generative and interactive installations continuously produce visual compositions that react to visitor movement, creating reciprocal exchanges between human behavior and computational processes. Site-specific commissions and performative pieces, including robot-produced drawings and musical collaborations by Jacopo Baboni Schilingi, extend the sensory and spatial dimensions of the practice.
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