"On the heels of the first-ever Art Basel Qatar, we will be discussing the Middle Eastern art market and the regional art scenes. Is this simply another fair on the global circuit, or something more structural-an attempt to recalibrate where cultural power sits?"
"We will doing a vibe check on the Ultra-Contemporary art scene's current obsession with Old Masters, art history, and dead artists. As market pressures mount and institutions increasingly turn toward estates and historical figures, we'll ask whether this is a genuine intellectual reckoning or a marketing strategy dressed up as scholarship."
"A church fresco featuring an angel that bore a striking resemblance to Italian Prime Minister Giorgia Meloni was abruptly removed, sparking debate within and well beyond the church about restoration, iconography, and the politics of sacred imagery."
A monthly art world roundup examines three major developments. Art Basel Qatar's inaugural event prompts analysis of whether it represents structural change in global art markets or merely another fair on the circuit, potentially recalibrating cultural power dynamics. The contemporary art scene's growing obsession with Old Masters, art history, and deceased artists raises questions about whether this trend stems from genuine intellectual engagement or serves as marketing strategy, possibly both. In Rome, the removal of a church fresco depicting an angel resembling Prime Minister Giorgia Meloni sparked debate about restoration practices, iconography, and the politics of sacred imagery, connecting to historical instances of problematic art restorations.
Read at Artnet News
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