"In Erin Somers's The Ten Year Affair, Cora, a millennial mother, craves a bygone kind of passion from a bygone kind of man. Unfortunately for her, morality in 2015 is rigid and cynical, and instead of having the affair, Cora spends 10 years overthinking it, fantasising about it and discussing it with her potential lover, Sam a playgroup dad who is chief storytelling officer at a mortgage start-up (yes, that's his job title. They all have absurd jobs)."
"The book presents itself as a comic take on the classic adultery novel and a send-up of a narrow, self-conscious group of downwardly mobile New Yorkers. I'd call it the midlife adultery story our entire generation deserves: a propulsive, witty takedown of insufferable hand-wringers who've managed to ruin even sex. Honestly, I couldn't put it down. Cora and her husband Eliot are smug, overeducated Brooklynites who, with rents rising and children growing, have moved reluctantly upstate."
"Caught in the gruelling all-the-time-ness of parenthood, they have desk jobs, two children, a persistent mushroom growing under their bathroom tiles that they lack the energy and money to sort out. They hang out with other smug, overeducated Brooklynites who have fled the city to drink negronis out of mason jars and judge each other closer to nature. But if Cora is lonely here, it's not because of her fussy, lifeless lens but because her new neighbours are dull and vain,"
Cora, a millennial mother, craves a bygone kind of passion and imagines an affair with Sam, a playgroup dad and chief storytelling officer at a mortgage start-up. Morality in 2015 feels rigid and cynical, so Cora never acts; she spends ten years overthinking, fantasising, and discussing the possibility. Cora and her husband Eliot are smug, overeducated Brooklynites who have moved reluctantly upstate with two children, desk jobs, and a persistent mushroom growing under their bathroom tiles. Neighbourhood life entails negronis in mason jars and competitive, self-conscious conformity. Eliot remains high-minded and oblivious while Cora longs for drama but cannot surrender her own rigidity.
Read at www.theguardian.com
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