A Chair With a Drawer, a Calendar, and a Point of View - Yanko Design
Briefly

A Chair With a Drawer, a Calendar, and a Point of View - Yanko Design
Ceramic chair bases appear to soften, pool, and undulate, while the upper structures remain sharply defined and indifferent. The chairs function as paired objects in a standoff, with hand-sculpted, crackled off-white ceramic surfaces decorated by small blue motifs such as heraldic figures, crests, and lunar phase calendars numbered from one to thirty. Some bases are rippled and wavy, while others are pocked with circular voids that allow small flowers to grow. The upper parts are either blond plywood cut with geometric precision, showing layered strata at their cut edges, or dense yellow foam with a utilitarian, mattress-like character. The material contrast creates the central conversation.
"The first thing you notice about Massimiliano Malagò's chairs is that the bottom half looks like it's giving up. The ceramic bases appear to be softening, pooling, their surfaces undulating in slow waves as if the weight of everything sitting on top has finally gotten to them. The upper halves, either blond plywood cut with clean geometric precision or yellow foam dense as old mattress padding, hold their shape with complete indifference. The contrast is the whole conversation."
"Each chair is essentially two objects in a standoff. The bases are hand-sculpted ceramic glazed in a crackled off-white, decorated with small blue motifs that range from heraldic figures and crests to lunar phase calendars marked with numbers from one to thirty. Depending on which chair you're looking at, the surface texture shifts too. Some bases have a wavy, rippled undulation. Others are pocked with circular voids, perforations from which actual small flowers grow, as if nature has decided to quietly move in through whatever gaps the city left open."
"The upper chair structures sit on top of these organic, softened bases like they arrived from a different address entirely. The plywood versions are laminated and layered, their cut edges revealing the strata of material inside like a cross-section of something ancient, while the foam versions have a raw, utilitarian quality that reads somewhere between construction material and domestic c"
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