The article discusses Alex Garland's film 'Warfare,' which emphasizes the raw experience of war without delving into the historical or geopolitical context of the Iraq War. Co-directed with Navy SEAL Ray Mendoza, the film contrasts a brief moment of happiness among Navy SEALs with the oppressive misery of warfare, aiming to portray war as unrelenting terror rather than entertainment. This film aligns with the trend of war movies becoming increasingly focused on human suffering and the harsh realities of conflict, challenging the glorification of war.
In Warfare, Garland and Mendoza focus on the pure experience of war without providing historical context, showcasing the existential terror of conflict.
The film opens with a brief moment of joy before plunging into a relentless depiction of war as Hell, devoid of adventure or grandeur.
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