Filmmaker John Carney: 'I sold Once for nothing, and made no money on it. Not a penny. I did the worst deal you could do'
Briefly

Filmmaker John Carney: 'I sold Once for nothing, and made no money on it. Not a penny. I did the worst deal you could do'
"John Carney's phone is ringing. We're in an elegant meeting room at the Westbury Hotel, just around the corner from the chatty afternoon tea drinkers, and Carney - one of the most celebrated filmmakers in Ireland - has forgotten to switch his device to silent mode. These things happen. "I'll turn that off," Carney says, removing the offending item from the table between us. "Oh, actually, it's my kid.""
""I'll turn that off," Carney says, removing the offending item from the table between us. "Oh, actually, it's my kid.""
John Carney is a celebrated filmmaker in Ireland and is in a meeting room when his phone rings. He forgets to silence it, then notes the call is from his child. The moment reflects how personal responsibilities continue alongside professional life. The conversation centers on how fame affects daily routines and how fatherhood influences priorities. It also addresses how streaming has changed filmmaking, including the way audiences access films and how that access impacts production and distribution decisions. The details connect public recognition with private commitments and highlight industry shifts driven by streaming platforms.
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