Jake Gyllenhaal & Henry Cavill are more than friends in homoerotic action flick but you'd never know it from the promo - Queerty

"Despite the fact that it comes from a filmmaker whose made acclaimed "cool guy" crime flicks ( Snatch) & major blockbusters ( Sherlock Holmes), and has a pair of major A-list stars, it's only made a paltry $3 million so far. So, what happened? How could a movie with a name like Gyllenhaal-and Superman for crying out loud!-become such a dud? Well, we think it's because people didn't know how very gay it was!"

"That's right, there's a major homoerotic undercurrent to the dynamic between Gyllenhaal and Cavill's brawny business partners, one so strong that the few people who have seen In The Grey aren't even calling it subtext: "they are for all intents and purposes playing a gay couple," notes The Guardian film critic Benjamin Lee."

"There's a long history of rough-and-tumble action movies that center the deep, bro-mantic bond of their macho heroes, which often stop just shy of letting them admit their feeling for each other-or worse, they'll lean in for just a moment, only to deliver another tired moment of gay panic humor. Not so with Ritchie's latest, which does offer its fair share of winking jokes about lube and prison sex, yet never shows its characters to be offended or disgusted by the implications. In fact, they seem to welcome it."

In The Grey opened in theaters as an action film starring Jake Gyllenhaal and Henry Cavill as highly skilled mercenaries hired to recover a billion-dollar debt from a ruthless dictator. Despite the director’s track record and the presence of major A-list stars, the film earned only about $3 million so far. The low performance is attributed to limited awareness of how overtly gay the movie’s relationship dynamics are. The chemistry between the two leads is described as a major homoerotic undercurrent, with viewers treating it as a gay couple rather than subtle subtext. The film includes jokes about lube and prison sex but avoids portraying characters as offended or disgusted, instead presenting them as accepting the implications.

Read at Queerty