"The Entire Process is About Discovery and Surprise and Not About a Theory or a Thesis": John Carroll Lynch, Back To One, Episode 356
Briefly

Acting approach evolves toward techniques that prioritize analysis and adaptability over initial impressions. Highlighting text by lexical categories provides a practical method for parsing dialogue and shaping performance. Directing a first feature reshapes artistic perspective and informs subsequent acting choices. First impressions of characters are treated as provisional rather than definitive. Incorporating everyone and everything on set into the process preserves valuable inputs and enhances authenticity. A long career across film and television informs a cumulative, flexible practice. Practical application spans both large- and small-screen work and collaborative processes with veteran performers.
John Carroll Lynch has delivered so many performances, on so many sets, for both the big and small screen, that it is almost ridiculous. Just a few highlights of his hundreds of credits include: The Drew Carey Show, Fargo, Zodiac, Big Sky, American Horror Story, The Trial of The Chicago 7, and his latest, . On this episode, he gives us a deep dive into his approach to the work, and how it has evolved over the years.
He explains the benefits of highlighting the text based on lexical categories, how directing his first feature Lucky (with Harry Dean Stanton) changed his approach to acting, why he no longer believes his first impressions of a character holds as much significance, the importance of incorporating (and not erasing) everything and everyone on set into the process, and much more.
Read at Filmmaker Magazine
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