"Be it the combo of Margot Robbie's Instagram face smooshed against vacant heartthrob Jacob Elordi, or the anticipation of countless historical inaccuracy sins, I had already decided it wasn't for me - until the recent teaser trailer. The best movie posters and behind-the-scenes sneak peeks can do wonders to promote your film, but that initial trailer is often a make-or-break."
"The first thing I noticed was the trailer's score, which begins with a synthy pulse, cut through by the familiar vocals of none other than Miss Charli XCX. The intense, unrelenting visuals embellished with pops of rich jewel tones gave me the hit of cinematic design that I was craving, so much so that the juxtaposing music felt deviously playful in tandem."
"The set design is both familiarly historic, yet playful, borrowing fashion flourishes from different decades to create a dreamlike quality. We swoop between brooding, murky shots to lavish, oversaturated scenes, blending colourful excess with primitive, seductive desire. I'll admit it - I wanted to hate this film. Now I'm left feeling hopeful. But Fennell's sumptuous aesthetic is so brazenly present that I feel thoroughly enveloped in her world."
The teaser combines a synth-driven score featuring Charli XCX vocals with intense, jewel-toned visuals to create a striking audio-visual contrast. Set and costume design blend historic elements with playful, cross-decade fashion flourishes to produce a dreamlike, oversaturated aesthetic. The trailer shifts between brooding, murky shots and lavish scenes, emphasizing colour, decadence, and primitive desire. Initial skepticism about casting and faithfulness to the source yields to appreciation for the director's bold stylistic choices. The adaptation presents the classic as a contemporary pastiche aimed at modern audiences seeking visually driven, stylized retellings rather than strict historical fidelity.
Read at Creative Bloq
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