"Julian Sklar, the protagonist, records jokey Cameos while guarding a series of unfinished masterpieces in his house that he refuses to complete or sell."
"His children, Barnaby and Sallie, concoct a scheme to hire an assistant to secretly finish the paintings under their father's nose and make a profit."
"What distinguishes the movie is how quickly it abandons the initial stakes, becoming a meditation on the relationship between art and commerce."
"The Christophers is Soderbergh's most plainly emotional story in years, showcasing his ability to hop from genre to genre with finessed ease."
Julian Sklar, a cantankerous artist, records Cameos while guarding unfinished masterpieces. His greedy children, Barnaby and Sallie, hire artist Lori Butler to secretly finish the paintings for profit. As Lori integrates into Julian's life, the film shifts from a heist narrative to a deeper exploration of art's value and its commercial implications. Steven Soderbergh's direction emphasizes emotional storytelling, marking a departure from typical caper films, showcasing his versatility across genres since his return from retirement.
Read at The Atlantic
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