Humans exhibit an innate attraction to miniatures, tied to nostalgia, comfort, and appreciation for craftsmanship. David Hourigan showcases intricate models of Melbourne’s music venues, blending artistry and precision. His work is soothing and impressive, reflecting a meticulous approach to creating realistic structures. Hourigan's passion for miniatures reignited in his 30s after a background in graphic design. He ventured into professional miniature making in 2019, focusing on beloved local buildings to preserve their memories before they disappear. This hands-on craft offers greater satisfaction than digital design, highlighting the connection to physical creation.
Hourigan in his studio with his miniature model of the now-closed Gasometer hotel. Photograph: Asanka Brendon Ratnayake/Guardian Australia
Hourigan started out by making buildings he loved in his suburb, Yarraville, in Melbourne's inner west. He made the Sun Theatre, a beloved art deco cinema, as well as a few places around here that meant something to me, places I wanted to capture before they go.
In 2019, he quit his job to try making miniatures professionally for six months; six years later, he's still at it.
It's so much more satisfying working with your hands and producing physical things than moving pixels on screen, he says.
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