River of Valentines by Charlie Hilton embodies an eerie, sun-drenched mystique similar to Picnic at Hanging Rock. The album flows smoothly, presenting sonic valentines that are simultaneously aloof and emotionally rich. Hilton's lo-fi style oscillates between a serene lull and emotive depth, encapsulated in a concise 28-minute runtime. Key tracks like 'Exorcise' and 'Machinery' reveal her desire for introspection and connection, emphasizing gradual emotional exploration rather than overt confessions. The overall sound is characterized by gentle melodies that evoke imagery of nature and reflection.
Charlie Hilton's sound on River of Valentines is smooth, flowing like a river with aloof yet twinkling sonic valentines that evoke a deep well of feeling.
Hilton's emotional stakes are revealed in subtle gestures rather than full confessions, making her approach gentler and lullaby-esque compared to her earlier work with Blouse.
On 'Exorcise', Hilton croons, 'I am trying to sit out / But they said I'm not allowed / Said I'm gonna have to play', hinting at a reluctant emotional dive.
In 'Machinery', she conveys desires with earnest honesty, expressing through lyrics her need to listen and understand, saying, 'I even wanna hear my own voice / To just get it on the tape.'
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