Be Sweet to Me While presents slasher-inspired alt-rock shaped for 90s MTV energy, combining deadpan verses with bluesy, intentionally sleazy choruses, blown-out guitars, and squealing feedback. Violet Grohl brings rock credentials and cool, authoritative vocals, including early Nirvana reunion experience at age 13. The album links her with taste-making producer Justin Raisen, while Grohl directly addresses her nepo status. Tracks like Cool Buzz and Often Others pair roaring, snotty delivery with ska-tinged guitar, hardcore drums, and seething, sour grooves. Mobile Star adds Lynchian strangeness and a creepier vocal edge. Some songs feel overly nostalgic and predictable, with effects resembling stage makeup rather than raw grit, leaving the threats less sharp than expected.
"I'll eat your liver, Violet Grohl threatens on 595, a scuzzy, slasher-inspired alt-rock single that feels made for 90s MTV. Arch, deadpan verses give way to a big, bluesy, intentionally sleazy chorus, finished with blown-out guitar and squealing feedback: part Veruca Salt, part Queens of the Stone Age."
"Despite just turning 20, Grohl has the rock'n'roll credentials for her throwback sound. The eldest daughter of Foo Fighters' Dave, Violet fronted a rare Nirvana reunion aged just 13 her coolly authoritative vocals making it more symbolic than a mere family favour."
"Grohl is admirably direct about her nepo status. Decide for yourself if I'm worthy, she told the Forty-Five. Cool Buzz, roaring and snotty, makes a persuasive case. Flashes of ska-inspired guitar a la No Doubt crash against hardcore drums deserving of a circle pit as Grohl rails against narrow-mindedness."
"But often, Be Sweet to Me's nostalgia is too reverent, too predictable: the glitched guitar on Last Day I Loved You and tape-deck fizz on Plastic Couch come off like stage makeup, rather than real war paint. Grohl's a genuine talent, but her hungry threats need sharper fangs."
Read at www.theguardian.com
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