Mao Ishikawa began her career in the 1970s, photographing Black American GIs and Okinawan women in a bar. Despite her initial hatred of American troops, she found connection with the soldiers and her fellow barmaids. Her series, 'Red Flower: The Women of Okinawa,' showcases intimate, candid moments reflecting their youthful freedom amid oppression. Ishikawa's work serves as a political statement against the American military's historical presence in Okinawa, particularly during a time steeped in violence and betrayal. Her deeper relationship with subjects emphasizes the intimately personal nature of her photography.
When I take a photograph of someone in an intimate moment, it’s only after I've spent time with them, always with their permission. It made me passionate.
Her documentary series captures a sense of youthful freedom and outsider bonhomie, reflecting an intimate world only accessible to insiders like Ishikawa.
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