The article criticizes late night shows for not fully embracing creative freedom, using Lisa Gilroy's desire to pierce her ears on After Midnight as an example. Network policies are questioned, especially when other hosts have performed similar stunts. It also highlights a segment featuring transit expert Alissa Walker, who deserved more focus during her time on Everybody's Live With John Mulaney. Finally, it touches on Busy Philipps and Michelle Williams reminiscing about their Oscars moment, showcasing how past events can continue to inspire new content.
Gilroy's desire to pierce her ears on stage highlights the contrasting attitudes towards live bodily modifications across different late-night shows.
The discussions on late night about bodily modifications reflect an underlying tension between creative expression and corporate policies in a networked environment.
Walker, an impressive transit expert, deserved more airtime to discuss the important impacts of urban policy decisions on L.A. transportation.
Philipps and Williams's Oscars reminiscence underscores how past events continue to inspire relevant and engaging content in contemporary show formats.
Collection
[
|
...
]