The production of Joe Turner's Come and Gone at Portland Playhouse coincided with the withdrawal of $25,000 in grant funding from the National Endowment for the Arts. This situation reflects an ongoing trend under the Trump Administration to prioritize certain artistic narratives while marginalizing others, particularly those representing Black experiences. The play, part of August Wilson's ten-play cycle about Black life in 20th-century Pittsburgh, underscores the importance of such narratives in U.S. cultural heritage, advocating for their continued presence and support in the arts.
"The production faced a side swipe with the National Endowment for the Arts pulling $25,000 in funding, a blow to stories of Black Americans in theater."
"Portland Playhouse showcases a profound dedication to preserving the rich artistic heritage through the powerful storytelling of Black narratives in theater."
Collection
[
|
...
]