In Portland, two one-person shows exemplify the skill needed to illuminate marginalized experiences. Damaris Webb's 'Precipice: re-membering, forgetting, and claiming home' delves into her heritage as a third-generation Black homeowner, exploring themes of generational wealth and the racial history of real estate. Through collaboration with writer Chris Gonzales and director Olivia Matthews, Webb uses magical realism to represent her struggles with the pressures of home ownership, privilege, and the societal barriers faced by Black people. This performance invites audiences to reflect on personal and collective narratives that shape identity.
“Webb expresses the complex feelings tied to generational wealth, revealing how personal narratives can highlight larger societal issues through art.”
“The show’s magical realism allows audiences to engage with abstract concepts of legacy and privilege in a visceral way.”
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