"Put me in your palm and squeeze, She sends shivers through the night,Shakes the stars of twenty-thousand skies,She's the rib and the spine, we'll melt, and glue, and stick, and weave.'Til it's no longer 'you' or 'me', See my world shining in her eyes, just bodies spilling breathlessly. I need you around, I need you around. I need you around, I need you around."
"Without you I drown, without you I drown. Without you I drown, without you I drown.Oh, I've been lookin' for you, Oh yeah, I realise that I spent the night,In every flame. Barely talkin'.And I've been puttin' you into, But, see, the thing is I, oh, well, I'm terrified,Every scene and frame, Of tearin' down these walls of my makin'.My passion's brandin' yours. My passion's tainted."
"It should be simple in theory, you can comprehend one thing, you can comprehend another, why can't you comprehend them both at the same time? Perhaps it's better when presenting analysis to pull each tiny detail apart, examine it under the microscope, and place it back before pulling another one out, but a book doesn't work because each chapter individually works. It is one, uninterrupted work divided into chapters for pacing and structuring."
Balancing multiple elements simultaneously proves harder than expected because comprehension of separate parts does not guarantee comprehension of their combination. Analytical approaches isolate details for examination, but some works require uninterrupted integration for pacing and structure. Teams and creative projects resist reduction to discrete roles without losing emergent functionality. Intimate lyrical passages express dependence, vulnerability, and passion through repeated refrains and evocative images. Emotional confession mixes with fear of tearing down self-made walls and recognition of passion's imprint. Practical considerations of staging flagship events are noted, implying the challenge of coordinating narrative, performance, and logistics.
Read at Bavarian Football Works
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