"The team behind the massively successful theatrical adaptations of 'IT'-Andy Muschietti, Barbara Muschietti, and Jason Fuchs-creatively drives 'Welcome to Derry.' But it's a show that's too often stuck in first gear, only coming to life in its big, surreal set pieces and lacking almost everywhere else. It also suffers from that common plague of the streaming era: It takes forever to get where it's obviously going, content to circle the same sewer grates while viewers wait to get to the good stuff."
"'IT: Welcome to Derry' unfolds in 1962, primarily following two interconnecting narrative threads linked by the Hanlon family. If that name is familiar, it's because Mike Hanlon is a key member of the Losers Club, the protagonists of the book and hit movie, played by Chosen Jacobs and Isaiah Mustafa in the films. Hanlon's father Will (Blake Cameron James) was a child in 1962, having just moved to Derry with his mother Charlotte (Taylour Paige) and Leroy (Jovan Adepo)."
Television draws heavily from Stephen King's tone and themes, with many recent shows echoing his influence. IT: Welcome to Derry is produced by the team behind the hit IT films but often feels sluggish outside of major surreal sequences. The series suffers from streaming-era pacing, lingering too long before delivering payoff. The narrative is set in 1962 and follows two interlocking threads centered on the Hanlon family, connecting to the Losers Club mythos. Characters include a young Will Hanlon, his mother Charlotte, Leroy, a military pilot assignment tied to General Shaw, and the appearance of Dick Hallorann.
Read at Roger Ebert
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