"Task's goal was to compare and contrast two very different kinds of family men and their attempts at redemption, ranging from overcoming a nasty Vodka habit to securing a better future for their children. At its best, Task explored the complicated, flawed, but vivid lives of women left to pick up the pieces of broken men. This isn't to say it didn't explore masculinity with equal skill, only to point out creator and writer Brad Inglesby's adept ability to explore the intersection of class and gender."
"Animals continue to be a motif, even if they're not always a schema that maintains coherence. This time, as Emily, Sara, and Sam put up posters in the latter's room, soft country music plays as they wax on about the plight of animals trapped in the zoo. It's the moment where Sara seems to fully forgive Ethan for killing her birth-mom. She tells a story of a time Ethan went out looking for a neighbor's lost dog."
Two family men pursue redemption: one battles alcoholism while the other strives to secure a better future for his children. Women carry the emotional and practical fallout, often left to pick up the pieces of broken men. Animal imagery recurs as a motif and anchors a major reconciliation moment when Sara appears to forgive Ethan after a story about a lost dog. The Dark Hearts criminal group fractures over stolen money, and Maeve struggles to provide stability for her uncle's children. Emilia Jones portrays a woman stunned by the arrival of stolen cash, and Tom rescues and mentors orphaned Sam, teaching him gardening and care. Pacing and plot deliver vivid scenes, though some thematic coherence loosens in the finale.
Read at Vulture
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