The event, which for many years was an unsanctioned gathering, once drew roughly 20,000 people at its peak after the city took it over in 2017, but the sanctioned version has been on pause since 2023.
Fucking Neil Young is angrier than ever - jeez, Louise. But, yeah, of course, it's hard not to feel political living in America, where we're deeply divided. And there's injustice, and there's so much hate and fear, and it's such a drag.
"I always feel the most comfortable in the punk world because they want to be hated, which I find funny. Pink Flamingos was a punk movie. We even had the yellow, the color hair. You couldn't buy the color back then, you had to do it with India ink and magic marker. So we were always punk. In a way it was a great freedom when that came. And punks are my people still."
Starting next month, the cost of renouncing your U.S. citizenship will go down dramatically - a boon for people already shouldering the burden of paying for a major overseas move. Anyone wishing to formally shed their American citizenship is required to obtain a form called a Certificate of Loss of Nationality, and right now it comes with a whopping $2,350 fee. In April, that fee will drop by 80% to $450.
'We had a few songs that we were like, 'These are really good, these are genius, and we are the Spice Girls slash Destiny's Child,' said singer Ayden Mayeri in the documentary, on which she served as director.
A special 50th anniversary Punk Rock history event at The New Farm featuring bands and musicians from the dawn of the punk rock revolution of San Francisco. NO ALTERNATIVE, SLEEPERS AD, SOCIETY DOG plus AVENGERS guitar player GREG INGRAHAM performing with JEAN CAFFEINE, THE DEAD SAILOR GIRLS & INSECT LOUNGE.
So I've seen generations change, and Gen Z is the generation that's most similar to my generation, the sixties. They're very value-driven. They're concerned with climate, they're concerned with authenticity, truth, being who they are, and relationships.
Several years ago, Michael Pollan had a disturbing encounter. The relentlessly curious journalist and author was at a conference on plant behaviour in Vancouver. There, he'd learned that when plants are damaged, they produce an anaesthetising chemical, ethylene. Was this a form of self-soothing, like the release of endorphins after an injury in humans? He asked Frantisek Baluska, a cell biologist, if it meant that plants might feel pain. Baluska paused, before answering: Yes, they should feel pain.
burdened by loneliness, depression, and the incessant needs of others, pours herself a stiff drink and steps up to the noose she's hung from the rafters of her airy farmhouse. Then the phone rings: her ungrateful brother, making demands. She tries again-another ring, another request, this time from a friend. She plays the piano, doesn't she? Will she join a group of fellow-amateurs for a charity gig? Twice thwarted, Beth sighs, says yes, and gets on with the business of living.
Beleaguered Louvre president Laurence des Cars quits after a historic heist under her watch. The next morning, a new leader is announced. It's Christophe Leribault from the Palace of Versailles, a true museum animal who ran a few during his career.
It started as the only punk rock club in town, and for two to three years, it was the only place you could go, which was good because you'd see everyone you knew. The arrangement was practical and symbiotic: the restaurant profited from the punk crowds while the venue provided a crucial gathering space for the emerging underground music scene.
"When I read the fine print, it was 'an experience with REO Speedwagon's music.' It's none of the original members," Fletcher recalls. "I don't want to promote the show unless it's the real thing. I don't know why you would want to see that. It's just a cover band. To me, that's a little bit strange." He adds, with a sigh, "If there are no original members, who cares?"
