#anarcho-dada

#anarcho-dada

The work of such artists as Jackson Pollock, Mark Rothko, and Willem de Kooning wound up as part of a secret CIA program during the height of the Cold War, aimed at promoting American ideals abroad.

At the official launch last November, the current culture minister Rachida Dati described the imperative behind the programme as not just celebrating an uncommon visionary but the "burning relevance" of his legacy: "a commitment to continuing to nurture this demanding idea of what culture is".

The foundation's collection is exceptionally large, encompassing more than 10,000 items-including thousands of drawings, over 400 sculptures, 100 paintings, a whole collection of decorative objets d'art, prints, everything that was in the studio, all the archives. Most of the collection has never been exhibited.

One day during his first term, Donald Trump summoned a top aide to discuss a new idea. Trump called me down to the Oval Office,' John Bolton, national security adviser in 2018, told the Guardian. He said a prominent businessman had just suggested the US buy Greenland ' The US president's friend Ronald Lauder, heir to the Estee Lauder cosmetics fortune, is now making deals in the island. Guardian investigations correspondent Tom Burgis explored the reasons behind Trump and Lauder's fixation with Greenland. Read more

Naked mermaids and prancing horses, silk carrots and unshelled peanuts, gilded elephant trunks, drums and masks are just a few of the buttons. The V&A's lavish spring show is a weird and wonderful tumble down the rabbit hole that is Schiaparelli, fashion's house of surrealism.

Cubism and Reality is his return to the works by Georges Braque, Pablo Picasso and Juan Gris that define early Cubism. The book has many strands but turns around a highly informed reconstruction of the processes by which their interactions with reality resulted in physical works of art, what Green terms "material things to be looked at". The revolutionary works discussed remain visually difficult; as he acknowledges, they are "most often only slowly penetrated by looking, imagining, reflecting and looking again".

Originally from Dallas and now based in New York City, I approach photography as an exercise in atmosphere, trust, and control. Trained in the discipline of film and later in fashion photography, I work with both natural and artificial light to construct images that feel cinematic and psychologically charged. Moving fluidly between studio and location, I transform spaces into environments that heighten mood and presence.

They escaped persecution in the form of violent antisemitism and came to Canada with next to nothing. They built their lives from the ground up and understood, through lived experience, what the normalization of cruelty did to the human spirit, how quickly people can be swayed by the opinions of the day, and how easily one could forfeit the human capacity to stop and truly think about what one is doing.

On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.

MADRID - The most famous portrait of Maruja Mallo depicts the artist covered from head to toe in seaweed. She is crowned and draped with long, rope-like strands of kelp, her arms raised triumphantly like an all-powerful marine goddess. This unconventional photograph, snapped in 1945 by the poet Pablo Neruda on a Chilean beach, was no doubt carefully orchestrated by the Spanish artist, who viewed herself as an extension of her unique work, where female energy is a conduit for natural and even cosmic forces.

An exhibition of Wifredo Lam is about as safe a bet as the Museum of Modern Art can place and still plausibly say that it's a bet on expanding the canon. The Cuban artist is one of the most famous painters of the 20th century, featured in almost every single key show about Surrealism. MoMA acquired his famous painting The Jungle in 1946, a few years after he made it.