Béla Tarr's films monumentalize decay and time through long black-and-white takes, portraying apocalyptic social collapse with bleak, majestic, and mesmerizing beauty.
My Favorite Movie Scenes of 2025 Include One That Tarantino Would Hate
Matthew Lillard's brief monologue in The Life of Chuck displays extraordinary emotional range and transforms the film's apocalyptic opening into a showcase of acting.