It would be wrong to go into The Beatles Anthology expecting another Get Back. Peter Jackson's 2021 documentary did such a miraculous job of recontextualising the glum old footage from Let It Be, by setting it against an ingenious ticking clock device and expanding it out to become a maximalist feelgood avalanche, that it felt like you were watching something entirely new.
But it wasn't a given Bowers would compose the score for Proudfoot's feature debut, " The Eyes of Ghana." "Because it's a lot of work, right? It's like, 'OK, it's six months of my life,' Proudfoot told IndieWire during an interview at the 2025 Middleburg Film Festival. "When you decide, 'OK, this project feels like it's part of my body of work,' it's a big decision, one that I take seriously.
