For the Shakers, Dancing is both a means of revelation and a way to do the work of God in the world, Kimerer LaMothe, a dancer and philosopher of religion, said in an interview. To dance is to build heaven on earth.
There's something powerful that happens when students step onto a stage and the entire community shows up for them. Events like this bring families, staff, and students together in a way that builds pride, connection, and a real sense of belonging.
"It has been a bucket-list dream of mine to perform on a New York stage, and I couldn't think of a better way to do that than becoming a part of the 11 to Midnight family," Morris said in a statement.
When I came to America I tried a lot of classes and 90% of them, even if a class was for beginner level, were really difficult. I was thinking, if I were a grown woman who just decided to start, I'm going to get trauma, it's so hard, it's so competitive, and I [said], I need to create something dedicated to women, without this pressure, without this judgmental vibe.
It's 3:30 p.m. on a Monday, and a group of 16 senior dancers are grooving on the court at Chase Center. They throw their arms up and down, give a high kick, bend over low, draw a half circle with their hips, pop up and snap their necks back and forth, their grey and white hair glistening under the giant spotlights usually reserved for Steph Curry and Draymond Green.
I absolutely give you permission to learn what twizzles are, but if you're coming into this as a once-every-four-years viewer, I encourage you to appreciate these performances based on how the skating made you feel. For me, watching it reminds me of the first time I was taken to a classical music performance: "What am I supposed to do with my brain during this?" I thought.
But the most startling event was the couples competition, which featured a pair of male skaters, dressed in camouflage, with tape over their mouths in an "X"-a direct protest against the military's "don't ask, don't tell" policy. The couple who followed them-two shirtless men, around the same height, alternately lifting each other up and rolling over each other with playful, affectionate aggression-struck me as equally political, suggesting not just what was banned but what was possible.
But instead, they find their way to a small studio, where they join 27 others in strapping on a pair of high heels and throwing themselves into two hours of dance moves. This is the beginners heels class at Vibe Dance Studio, which was started by Izzy Gonzales and her dad Ed four years ago. It's a place where people can show up exhausted, but end up with so much energy they don't want to go home.
After performing on Friday (6 February) in the Ice Dance - Rhythm Dance event, Canada's Paul Poirier and Piper Gilles' routine circulated around the internet filling multiple feeds. The pair danced to a mash up of RuPaul's "Supermodel (You Better Work)" and Right Said Fred's "I'm Too Sexy". And when we say it's stunning, it's stunning! The program is full of death defying twirls, lifts, and jumps. There's some hairography and even a bit of voguing before the routine closes as RuPaul demands: "You better work."
"We have a golden retriever, and so I walk her three or four miles a day, and I do a weight training class twice a week," says Brown, 62, of Arlington, Va. She knows muscle mass will decline without regular strength training. "We have a fun group with a personal trainer and we call ourselves the Beastie Girls," she says, describing how her group helps her stick with it. She also plays tennis and golf.
This is an absolute beginners course on the foundations of classical ballet and, a single catastrophic line dance lesson aside, it is also the first dance class I have ever attended. I am in the minority. As we take the barre, it quickly becomes apparent that not being able to tell my left from my right will be a significant deficit over the next 16 weeks. This, however, is a tertiary concern.
It's typical for the Joffrey Ballet to seat a mixed-repertory concert near the beginning of the year. But the 2026 edition of such an evening (a series of loosely connected shorter works packaged together), breaks at least one habit. There's nothing new in "American Icons," running two weekends at the Lyric Opera House. Instead, the Joffrey has dug up a range of works showcasing mid-20th century innovation and the porous kinship between ballet and modern dance during that time.