I'm not sure I'm fully qualified to write this review, even though I have seen Scott Tinkham's "24 Hours After Reading Tuesdays With Morrie" more than a few times. I almost- almost-programmed it for the Chicago Critics Film Festival this year, but blinked, second-guessed, and perhaps chickened out. "Are people gonna get this? Do I get it? Is 'Tuesdays With Morrie' a reference point that will register with the younger audiences who come to our fest?" These were the questions that kept nagging at me.
The deafening noise from the audience when Oasis arrive onstage reflects their partisan support. The crowd cheers promotional videos, indicating deep loyalty to the brand's connections.