Amid the annual upheaval at the Australian Open, of party courts, one-point fairytales, and ever-expanding festivals, some things don't change. Alex de Minaur has had the same locker every year of the 10 he has played at Melbourne Park, and he once again carries the hopes of home fans into the year's first grand slam. On the Groundhog Day repetition of the international circuit, it's the kind of familiarity that might breed superstition.
On a Wednesday in the desert last March, Reilly Opelka, the American with a cannon of a serve, was grinding out a tough match against French number one Arthur Rinderknech. Nearby, former US Open men's finalist Kei Nishikori beat Luca Nardi, part of the new wave of Italian talent, while Brazilian phenom Joao Fonseca closed out Pavel Kotov, who reached number 50 in the world in 2024.
Alexander Bublik, the resident eccentric of professional men's tennis, has the lyrics to two different Eminem songs tattooed on his arm. Doubles specialists, he's said, aren't "real athletes," though Bublik himself reached the doubles final of the 2021 French Open. The 28-year-old Kazakh has quoted Kung Fu Panda to cast doubt on Jannik Sinner's doping status, and called the tennis exhibited by greats like Roger Federer and Rafael Nadal "boring."