Coreen Simpson photographs masked Black nudes, obscuring faces to transform Black women into icons of withholding and to confront commercial versus spiritual representations.
Two new films take the act of looking at art as their structuring principle
Voyage of the Sable Venus and Fragments for Venus juxtapose archival depictions and everyday Black womanhood to reclaim representation and confront historical instrumentalization.
Juxtapoz Magazine - Danielle Mckinney's "Second Wind" in London
Danielle Mckinney's Second Wind presents intimate chiaroscuro paintings of Black women embracing stillness, liminality, and quiet emotional transition.