Throughout its history, Spain has been shaped by a wide range of cultures and civilizations, including Muslim, Phoenician, Roman, Greek, Carthaginian, and Visigothic influences, which are reflected in its architecture and design.
Craft is often defined as skill in making things by hand, but this interpretation is being challenged by AI. Craft transcends physical interaction; historical figures like Mozart and Beethoven exemplify mastery without traditional methods.
Studio NEiDA operates at the intersection of architectural practice, research, and curatorial work, focusing on how buildings emerge from the material and cultural conditions of a place.
The announcement that the world snooker championships would remain at Sheffield's Crucible theatre until 2045 was not just a surprise... it was a major relief for a neglected northern giant.
Art UK has taken it as its mission to digitally unite one million artworks from 3,500 institutions. This free-to-all portal connects everyone with the UK's public art collections.
Glass demands immediacy. Working at temperatures above 2,000°F leaves little room for overthinking, so the process becomes a kind of live dialogue between material, colour and chance. That same immediacy informs what I'm drawn to as a collector: works that carry a decisive gesture, a tactile presence, and the feeling that they could only exist in one form.
From unassuming hunks of Carrara marble and limestone, Matthew Simmonds carves realistic, miniature gothic cathedral arches, stairwells, and colonnades. Often based on architectural details of real places, such as cities around Tuscany and Germany's Bamberg Cathedral, the sculptures portray intimate details of corners, vaulted ceilings, arcades, and stairwells that can sometimes be peeked through additional apertures.
Double Fine has been on a tear with its smaller projects lately. The popular indie game developer is following up last year's atmospheric adventure game with a new title in a totally different direction. As its Double Fine founder Tim Schaefer attempted to say five times fast during today's Xbox Developer Direct, is an "online multiplayer pottery party brawler" that boasts exactly the sort of colorful, clever fun that fans have come to expect from the studio.
Fiona Twycross, the heritage minister, is to be congratulated for finally giving London's Southbank Centre Grade II listing (Campaigners welcome long overdue' listing of brutalist Southbank Centre, 10 February). I remember being shocked when I first saw it in the 1960s, but it has become a remarkable symbol of the zeitgeist. Its grey concrete and its childlike composition together express the fatalism and despair of a nation in economic and political decline.
Kulhads, also known as terracotta mud cups, once defined the everyday ritual of tea at railway stations across India. Used briefly and discarded soon after, they accumulated along tracks and coastlines, leaving a quiet record of consumption. For this pavilion, more than 18,000 of these cups were gathered from local communities in Dharavi and reused as a building material with structural purpose.
Treasures unearthed by hundreds of archaeologists so far during work on the controversial planned HS2 train line have been shown exclusively to the BBC. The 450,000 objects, which are being held in a secret warehouse, include a possible Roman gladiator's tag, a hand axe that may be more than 40,000 years old and 19th Century gold dentures. It is an "unprecedented" amount and array of items, which will yield new insights into Britain's past, says the Centre for British Archaeology.
When was the last time you saw an ashtray filled with stubbed-out Marlboros at a friend's apartment? At a restaurant? For some of us, the answer may very well be "never." Maybe that's the charm of the International Museum of Dinnerware Design's new exhibition on ashtrays - invoking an era before health codes and Mayor Bloomberg. Or reaching back even further, when you might see a Similac-branded ashtray in the office of your OB/GYN.
It is not about reproducing the past but about engaging in dialogue with it. We apply the same level of care and rigor to all pieces. Many of our utilitarian pieces have a strong sculptural quality, and several of the more artistic works originate from everyday forms and functions. We do not establish rigid boundaries between these categories; all are part of the same vision.
The concept's core is the classic Bialetti Moka Pot, iconic for its compact build of faceted aluminum. In this proposal, the upper chamber is recast in Hermès orange with a sculpted horse forming the lid's finial and body. The animal's legs extend down the sides of the upper chamber to transform the pot into a small stovetop design object. visualizations courtesy Jane Morelli
