#bru-zane

#bru-zane

Eliades Ochoa's aura is so powerful that under the generous rays of sunlight streaming through the large window on this March morning, he evokes a Western film.

The sad-eyed research scientist might be, as the title suggests, some kind of spy, perhaps working to undermine the U.S.-backed military regime that governed Brazil from 1964 to 1985. The film's amber light and ample bell-bottoms situate it firmly in the late 1970s, a time of repressive dictatorships and jittery paranoia, triggered by political malfeasance and instability across the world.

Pianist Dr. Gabriela Calderón and violinist Dr. Catalina Barraza celebrate the rich musical heritage of Latin America.

Although initially developed by the Portuguese, who first set foot here in 1500, the Brazilian fishing town of Trancoso remained virtually undiscovered until a small group of Paulistano hippies came upon it in the 1970s and happily settled in. Although the installation of new roads and the arrival of electricity a decade later increased accessibility, the vibe was set: Trancoso remains a sleepy, bohemian beach destination.

Alex, I don't even have words to talk about you. You know we're very shy, that sometimes we search for words of praise and they don't come. But the heart speaks louder than the mouth. Thank God I fulfilled my dream seeing you. It's very difficult for someone to have a son like you, and today I have you, my son...

When Norman Sylvester was 12, long before he garnered the nickname "The Boogie Cat" or shared a stage with B.B. King, he boarded a train in Louisiana and headed west, toward the distant city of Portland, Oregon. He'd lived all his life in the rural South, eating wild muscadine grapes from his family's farm, fishing in the bayou and churning butter at the kitchen table to the tune of his grandmother's gospel singing.

A parade float praising Brazil's president Lula strode through Rio's Sambadrome, drawing contreversy and triggering lawsuits. A carnival float in Rio de Janeiro's world-famous carnival parade was the center of a controversy over Brazilian President Luiz Inacio Lula da Silva and his upcoming bid for reelection. Critics of the president accused him of improperly using the nation's high-profile Carnaval celebrations for political campaigning.

In 2004, the Brazilian musician Seu Jorge recorded a series of Portuguese covers of David Bowie songs for Wes Anderson's film The Life Aquatic with Steve Zissou. The next year, he released a full album of 13 Bowie classics, and in 2016-2017, he even took the songs on tour. Now, in 2026, to mark the 10th anniversary of Bowie's passing, Jorge returns with the performance above.

In the just-named Grammy Album of the Year, DeBÍ TiRAR MáS FOToS-which Bad Bunny has declared his " most Puerto Rican album " to date-the supernova reggaetonero painted an evocative portrait of the Caribbean island, while declaring to a whopping 8.6 million listeners: "VOY A LLeVARTE PA PR" (I'm going to bring you to Puerto Rico). And he did. Last year, a record-breaking number of tourists-7,486,000 to be exact-visited Puerto Rico's tropical shores.

I noticed the swelling of the double bass first, quickly followed by the fluttering of brushed cymbals. A saxophone pushing against the edges of a melody swiftly married the notes together, chords drifting haphazardly before reaching a slow, pulsing groove. The jazz quartet performed in front of a liquor cabinet lined with whisky bottles; low-hanging lights teetered overhead, throwing shapes on the monochromatic marble-tiled floor. Outside, a leafy veranda was filled with diners, the music drifting through flung-open doors and windows.