#dayme-arocena

#dayme-arocena

Samara Joy sings with old-school phrasing and a modern calm that makes the Great American Songbook feel freshly alive. Her tone is warm and centered, her control is ridiculous, and the swing is the real flex, every line shaped with patience and purpose.

Eliades Ochoa's aura is so powerful that under the generous rays of sunlight streaming through the large window on this March morning, he evokes a Western film.

"In that darkness, I found myself. This album is totally about empowerment. There's an energy behind it of divine justice... What's for you belongs to you."

Pianist Dr. Gabriela Calderón and violinist Dr. Catalina Barraza celebrate the rich musical heritage of Latin America.

Cuba has long been under the effects of a perfect storm that shows no signs of abating. In addition to constant power outages, the high cost of living, persistent unsanitary conditions in the streets, and a tangled economic crisis that Cuban authorities seem incapable of resolving, there are now direct threats from Donald Trump's administration, aimed at the Castro regime which has been in power for nearly 70 years.

Michelle Paulin dances while instructing youth at the Dulce Tricolor Venezolano dance group at the Ariel Dance Studio in Campbell on Jan. 25, 2026. Dulce Tricolor, a Bay Area Venezuelan dance group founded in 2019, teaches children traditional folk dances while preserving culture, building community and offering a sense of home amid Venezuela's ongoing political and economic crisis. (Josie Lepe for KQED)

On The Red Carpet has an exclusive clip to share from an upcoming episode, featuring 15-year-old Abayomi Lewis. The Haitian singer and poet is a young performer with an old soul from the Bay Area. Lewis attributes her success to her mother, who signed her up for a poetry competition in ninth grade, and the powerful women in her family. 'My grandmother has always been telling me ever since I was little, 'I have to see you on that TV,' Lewis explains.

The artists José Parlá and Claudia Hilda, his wife, live in a former fire station in Fort Greene surrounded by memories of Cuba, which Parlá's family fled in 1970 and where Hilda lived until recently. "There's a lot of magical realism here, a big mix of Cuban traditions and religion," says Parlá, pointing to an icon of la Caridad del Cobre, the island's patron saint, in the kitchen. "We cannot move her!"

The artists José Parlá and Claudia Hilda, his wife, live in a former fire station in Fort Greene surrounded by memories of Cuba, which Parlá's ­family fled in 1970 and where ­Hilda lived until recently. "There's a lot of magical realism here, a big mix of Cuban traditions and religion," says Parlá, pointing to an icon of la Caridad del Cobre, the island's patron saint, in the kitchen. "We cannot move her!"

Right now I have some writing sessions [in Monterrey] for Fuerza Regida's new album, two days from now I start Carin León's new album, then I go to L.A. for the Grammy Week,

In the just-named Grammy Album of the Year, DeBÍ TiRAR MáS FOToS-which Bad Bunny has declared his " most Puerto Rican album " to date-the supernova reggaetonero painted an evocative portrait of the Caribbean island, while declaring to a whopping 8.6 million listeners: "VOY A LLeVARTE PA PR" (I'm going to bring you to Puerto Rico). And he did. Last year, a record-breaking number of tourists-7,486,000 to be exact-visited Puerto Rico's tropical shores.

Last summer, she was one of the interpreters at his 30-date concert residency in Puerto Rico, No Me Quiero Ir de Aquí (I Don't Want to Leave Here), which injected hundreds of millions of dollars into Puerto Rico's economy. With lyrics that capture the grief and alienation of Puerto Ricans forced to leave home in search of opportunities, Bad Bunny's 2025 album Debí Tirar Más Fotos became a global phenomenon that continues to resonate across cultures.

The highly impressive group reflects the current state of jazz, where both young guns and veterans are combining to bring the music to a new swell of fans. To talk about the present state of jazz, The Times brought together 26-year-old Joy and 75-year-old Bridgewater. What followed is an incredible conversation on politics, race, equality and mutual fandom. You both have had Grammy success.