James likes to navigate between physical and digital design by setting limitations: "I rarely start with a sketch. I like setting physical limits," he says, instead beginning with loose ideation and following through as the concept meanders. He tears newsprint, working until the paper runs out, and it's these challenges he sets that push out his design to a wonderful periphery.
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I create collages. I take pictures of houses, technical objects, people, and basically anything I find interesting, and juxtapose them. I adjust the individual images, cut them out, and give them a different color. The result is a structure that is like an independent being. Sometimes it's beautiful, sometimes it's awkward or even a little eerie. The individual elements are in tension with each other. They are like rhymes in a short visual poem.