#early-printed-books

#early-printed-books

What we found was that errata sheets were not only spaces for corrections but also sites of humor, legal maneuvering, and reinterpretation. With this exhibition, we wanted to share ways in which even small corrections can reshape meaning and authority.

Image by Klaus Schmeh, via Wiki­me­dia Com­mons Mag­yar, which is spo­ken and writ­ten in Hun­gary, ranks among the hard­est Euro­pean lan­guages to learn. (The U.S. For­eign Ser­vice Insti­tute puts it in the sec­ond-to-high­est lev­el, accom­pa­nied by the dread­ed aster­isk label­ing it as "usu­al­ly more dif­fi­cult than oth­er lan­guages in the same cat­e­go­ry.") But once you mas­ter its vow­el har­mo­ny sys­tem, its def­i­nite and indef­i­nite con­ju­ga­tion, and its eigh­teen gram­mat­i­cal cas­es, among oth­er noto­ri­ous fea­tures, you can final­ly enjoy the work of writ­ers like Nobel Lau­re­ates Imre Kertész and Lás­zló Krasz­na­horkai in the orig­i­nal. Alas, no degree of mas­tery will be much help if you want to under­stand a much old­er - and, in its way, much more noto­ri­ous - Hun­gar­i­an text, the Rohonc Codex.

Founded in 1884, it is one of the world's most important societies devoted to books. Though it operates as a members-only institution, the club maintains a steady program of free, public exhibitions that draw from its members' collections. Though often historical, there are fascinating intersections with contemporary culture. Focused on rare books, manuscripts, and literary ephemera, these shows often illuminate how historical texts continue to shape the present.

When universities began to emerge in Europe during the eleventh and twelfth centuries, they soon became important centres of knowledge. Their libraries could hold hundreds of books, and many of the most valuable volumes were kept under close control - sometimes even chained to desks. We have few details about how medieval university libraries operated, but a revealing set of rubric headings survives from the University of Angers in western France.

Renais­sance artist Albrecht Dür­er (1471-1528) nev­er saw a rhi­no him­self, but by rely­ing on eye­wit­ness descrip­tions of the one King Manuel I of Por­tu­gal intend­ed as a gift to the Pope, he man­aged to ren­der a fair­ly real­is­tic one, all things con­sid­ered.

This is a book about a book: the small, cropped, somewhat ragged but brightly illustrated volume now known formally, and rather forbiddingly, as British Library MS Cotton Nero A.x/2. The fame and beauty of its four Middle English poems have given it sobriquets beyond the shelfmark, however, which are more familiar and intimate: it is also the Gawain-Manuscript or, as I will call it, the Pearl-Manuscript.

In this book of moons, I am writing for people for whom the medieval world and its literatures and arts may be unfamiliar. I hope that in telling the stories of medieval moons, I also introduce these readers to the wonderful, mesmerising realm of medieval texts and images. But I also hope that this book may be useful to those with greater familiarity with medieval languages, literatures, and arts.

In this volume, the authors aim to provide a truly global overview of the 14 century, with each region given approximately the same space. It is obviously impossible to cover every event in every country of the world in a single volume, just as you would not be able to visit every city in every country if you traveled around the world for a year.

This open-access book brings together more than thirty essays on languages and the ways they develop, interact, and influence one another. Its main focus is the Middle East, where Hebrew, Arabic, and Aramaic long existed side by side and often overlapped in everyday use, scholarship, and culture. In line with Geoffrey (Khan)'s commitment to the maximally accessible dissemination of research, this Festschrift has been published in both open-access digital editions and affordable printed formats.