#fabio-maciel

#fabio-maciel

"Technology is both the remedy and the poison," artist Cao Fei quotes Bernard Stiegler, emphasizing the complex relationship between technological advancements and their impact on human practices.

The Grand Palais in Paris unveiled an enormous exhibition focusing on the final 13 years of Henri Matisse's life and work, featuring abundant examples of his celebrated gouache cut-outs.

The exhibition features 20 works of art as well as photographs and other ephemera dating back to the late 1970s-just before Basquiat launched his studio practice.

Jasper Johns seemed to reject the tortured, in-the-moment 'I' of Abstract Expressionism, ironically commenting on the heroism and spontaneity associated with Jackson Pollock and Willem de Kooning in his early work.

When I'm painting, I try not to look at too many things so I don't become overly influenced. But we can't really escape ourselves. There are imaginations from other people that I love. Diogo's work is a colourful combo of Alejandro Jodorowsky's strange filmic palettes, Japanese sci-fi and vintage posters.

Braulio gives the crowd an incredible insight into a decade's worth of poster designs for Good Room, revealing how he finds inspiration in the most mundane things just by paying attention to what has 'already been designed' and remixing it into something new.

Poetry and artificial intelligence can appear as oppositesone deeply human; the other cold and mechanical. Sasha Stiles sees them as expressions of the same impulse. Poetry, the Kalmyk- American poet argues, is one of our most ancient and enduring technologies, a system of meter and rhyme invented to store vital information. She views AI as its natural heir. Stiles's path to AI began with literature, not code.

On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.

The expansion project of this residence was carried out with the acquisition of the neighboring lot adjacent to the existing residence, with its original profile and vegetation preserved. Two new buildings were proposed for this lot.

Now, he celebrates his first major presentation in Latin America, in congruence with Mexico City Art Week 2026 and ZSONAMACO, showcasing on an ideal stage inside one of the city's most architecturally layered interiors. Titled The Resident, the site-responsive installation, created during a residency at the Diez Company house, transforms the historic showroom into an immersive tableau where more than 50 works negotiate the boundaries between collectible design, contemporary art, and spatial theater.

Regina Silveira has spent the better part of three decades considering the relationship between media and meaning, particularly as it relates to Latin America. First presented in 1997, "To Be Continued..." features 100 black-and-white reproductions of photos, newspaper clippings, propaganda, advertisements, and more. Silveira nests each image into an oversized puzzle piece, which cuts off faces and scenes to leave fragments of pop culture icons, flora and fauna, and even the occasional mugshot spliced next to one another.

One of the great things about making art is discovering something that sprang from seemingly nowhere. In retrospect it looks logical but in the moment it's an epiphany and suddenly it's exciting to explore it. My studio is across the street from Creative Woodworking and they have a box where they put scrap wood for anyone who wants it and it's irresistible to me.

For ABERTO5, the itinerant exhibition series is set to open next month at Casa Bola, Eduardo Longo's spherical residence in São Paulo, opening the architect's private home to the public as the setting for its fifth edition. From March 7th to May 31st, 2026, ABERTO returns to Brazil after its Paris chapter at Le Corbusier's Maison La Roche (read more here) and shifts its attention to one of the city's most unique dwellings.

Artist Ayelet Gal-On does not just paint; she builds, layering oil, acrylic and plaster on canvas. Gal-On's signature subjects for "Taken by the Wind, Swept by the Light," her upcoming solo exhibition at Gallery 9 in Los Altos, are white dresses that appear to hang on a line, defying the stillness of the canvas. "I love the process of playing with color," says the artist.