#film-review

#film-review

Honey Don't! feels like a challenge, daring the audience to decide if it's just goofy, just horny, or just diverting enough to make up for how it runs out of gas long before the credits roll.

The film is a professional piece of work but ultimately feels soulless, like it was generated by AI using familiar action-adventure tropes and beats.

I'm grateful to be here and this film has made me realize that I can turn pain into art.

Tesfaye's film "Hurry Up Tomorrow" serves as a self-indulgent love letter to fans but ultimately showcases his tedious self-regard rather than impactful storytelling.

Over her 60-plus-year career, Veronica Cartwright has become known for her roles in memorable horror films, returning to the genre in 'The Ruse'.

The film starts with a vibrant scene depicting Aya's inner conflict at her wedding, showcasing the complexities of love and personal freedom in a distracting narrative.

Boll's ineptitude for pacing has not waned, evident from the opening sequence of mundane activities stretching on for long minutes with little to engage the viewer.

Panning a movie like "Juliet & Romeo" is a little like kicking a puppy. A puppy that chews the furniture, soils the rugs and projectile vomits on the guests.

The film’s unexpected title, a play on the popular sex position, quickly establishes its comedic and playful tone, that veers into the realms of nostalgic yet fresh storytelling.

Chew-Bose fills her frame with sun-dappled bodies and faces, tasteful outfits, elegant spaces, and the easygoing languor that comes with the seaside sojourns of the wealthy.

Cage's unnamed protagonist arrives at a remote Australian beach with his teenage son, intending to share his surfing experiences, but faces violent hostility from local yahoos.

My main issue with 'Another Simple Favor' is that it exemplifies what I call a Location Vacation Movie—horribly written, yet the cast must be drawn by the stunning scenery.