The mockumentary follows a version of the creator as she prepares to embark upon a world tour in connection with the 2024 hit album. As well as Charli, the film stars Rosanna Arquette, Jamie Demetriou, Hailey Benton Gates, Isaac Powell, Rachel Sennott, Rish Shah, and Alexander Skarsgård. Aidan Zamiri, who directed Charli's music videos for "360" and "Guess", returns as director in the film slated for release in UK cinemas on 20 February.
85-year-old James L. Brooks has such an enviable track record as a TV creator (The Mary Tyler Moore Show, Taxi, The Simpsons), and movie writer/director (Terms of Endearment, Broadcast News, As Good as It Gets), that it's hard not to hope for the best when he makes his first feature film in 15 years. Alas, this treacly, tone-deaf dramedy centered on the travails of its titular idealist will be nobody's idea of a good time.
Five Nights at Freddy's 2 just kicked off its opening weekend in theaters, but fans of the franchise can already preorder the sequel on 4K Blu-ray at Amazon, Walmart, and Gruv. The Limited Edition Steelbook is up for preorder for $38 at Amazon and Gruv (and $44.25 at Walmart). If you're interested in adding this to your collection at launch, you may want to secure a preorder. The original Steelbook Edition sold out prior to launch, and a second Steelbook Edition did the same.
Predator: Badlands led all films in North American theaters with a debut of $40 million, according to studio estimates Sunday, a better-than-expected result that slightly lifted the box office from its autumn doldrums. On the heels of the worst box office weekend of 2025, Predator: Badlands faced little competition from new titles. Not accounting for inflation, the $40 million opening marked a new high for the dreadlocked alien franchise, besting the $38.3 million launch of 2004's Alien vs. Predator.
"[James Gunn] may love this source material, but he approaches it with a mixture of sincerity and irreverence that makes his new movie feel like a window being thrown open to a sunny day after years of oppressively dour DC action. He doesn't politicize Superman, exactly. He just returns the character to his roots as the creation of two Jewish American men whose families fled the pogroms and who gave their extraterrestrial defender of the planet a background as a refugee himself." -Alison Willmore
'This year's lineup seemed slanted a little more heavily toward documentaries than in the past, and a number of them were also celebrity-driven with a particular emphasis on music-related projects.'
Trachtenberg's skill in crafting thrilling narratives is evident in 'Predator: Killer of Killers,' which introduces a compelling new storyline that reshapes expectations for the franchise.
There are wonderful moments of humanity and hope; I don't usually respond to hug moments in drama: and yet the (soon to be classic) scene here in which a woman has to hug her grandson's friend in the absence of the grandson himself is overwhelming.
