Detroit techno, austere and futuristic, grew out of Black/queer culture, sci-fi escapism, and the repetitive language of automobile factories. San Francisco's techno, on the other hand, fused an outdoor hippie aesthetic with ecstatic, UK-derived beats that had crowds mass-hallucinating UFOs on Ocean Beach at dawn. Both shared a deep funkiness, however—remember when people of all shapes and colors once danced wildly?
In a way, it was the Sgt. Pepper's of hip-hop. It's a record that changed the way that people thought about putting music together. I'm not a big hip-hop historian; I just know the stuff that I worked on.
Born Lowell Fillmore Dunbar in 1952 in Kingston, Jamaica, Dunbar was a teen drum prodigy who played on Lee "Scratch" Perry and the Upsetters' 1969 single "Night Doctor" and Dave and Ansel Collins' LP "Double Barrel," whose title track topped the U.K. singles chart. After meeting bassist Robbie Shakespeare in 1972, the pair built distinct rhythms such as the insistent "Rockers" groove that bolstered canonical reggae tracks.