#harry-bliss

#harry-bliss

Dave Bowers creates illustrations that begin without a plan, using simple shapes and lines to capture fleeting thoughts and everyday moments inspired by his daughter.

Anderson's paintings are a poetic response to place, teeming with personal and cultural resonance, often relating to a feeling of 'being in one place while thinking of another.'

Mr. Cross, 62, is not afraid to go off-color. The special includes jokes about slavery, an extracurricular offering at a Chinese massage place and a culinary fantasy about what God does with miscarriages.

I was childless into my early forties. By then, my partner and I noticed that a lot of our peers were at a similar crossroads: dog, cat, or kid?

"It's an amalgamation of the Chicago neighborhood aesthetic with a Bulls fan, quite literally. It's kind of on the nose, but that's how I juxtapose the elements of my work, with the structure of a home and then a figure who is around or in the home."

"Most people don't stop to observe the crews' work or the infrastructure they uncover," Tentler-Krylov said. "But these unseen things keep the city going."

David Morrison continues his hyperrealistic explorations of flowers, seeds, and plants, capturing the intricacies and alluring textures found throughout nature in lush colored pencil.

Maira Kalman painted a vase exploding with flowers, capturing the anticipatory air the season brings. She cited Gustav Mahler's 'Das Lied von der Erde' ('The Song of the Earth') as her inspiration: 'Dark is life. Spring is here. The birds are singing.' What more do we need to know?

"I looked at many water towers to get an idea of their variety," Chast said, about her cover for the March 30, 2026, issue.

I love love, that's why his drawings often include figures, animals and even flowers hugging and kissing. Doesn't it feel good to be loved? Hot-dang, I know so - so my drawings express my love for love, especially for the ones we love.

Jason Adam Katzenstein is a cartoonist and a comedy writer whose work has appeared in The New Yorker since 2014.

Kudelka was born in Burnie on the north coast of Tasmania in 1972. After selling his first cartoon at the age of nine, he went on to draw political cartoons for more than 30 years, some 10,000 of which were published. He won Walkley awards for best cartoon in 2008 and 2018, as well as Kennedy, Stanley and News awards. He was the Museum of Australian Democracy's political cartoonist of the year in 2010 and 2019.

A crack of thunder, a flash of light, and a sulfurous mist flooded my apartment. Marax, President of Hell, stood before me. Marax entered my summoning circle, eyes burning with unholy fire, and I gave him the stack of homework to flip through while I brushed my teeth. Marax marked up the papers and fleshed out my bullet points into thoughtful feedback before I even got to my molars. Then-three hours of my life, saved!-I banished him back to Hell.

No one could accuse Fleming of tailoring his act to please a conventional audience. His stage attire lies somewhere between "androgynous hipster" and "clown," and his only criteria for a premise appears to be "What does my brain fixate on?" He expects his audience to keep up with any cultural reference his Massachusetts-born, millennial, Skidmore arts-graduate brain might make without ever stopping to explain what, say, "Gatsby-esque" might mean in the context of Bitmoji.

What gives me encouragement to continue to use my family as inspiration is that, if you look back in history, the famous portraits that Van Gogh did are portraits of people he knew, the postman or his friends. Intimate friends that, once you get that distance of time, you don't think, 'Well, this is someone he knew and that's kind of boring. It's portrait, in and of itself.