Bonamassa explains the origin of the sprawling tribute, saying, 'It was brought to my attention... that B.B. King would be turning 100... and nobody was planning on doing much. I said we need to do something.'
Chaka Khan criticized modern female popstars for 'doing any and every damn thing on stage' while trying to sing, suggesting they are compensating for vocal weaknesses.
Kanya King stated, 'Black music shapes what we listen to, how we speak, how we dress, how we tell our stories and I guess it's defined as Britain's cultural identity but structurally and institutionally is still often treated as m.'
Rockie does kinda feel like the album Donna Hayward would make if she could pursue her musical ambitions: She'd be influenced by Julee Cruise, for sure, and probably Chromatics, and Sky Ferreira, and what could be more Badalamentian than the cloudburst of synth that opens "On Our Knees"?
R&B in the 21st century has been in a constant state of flux, tugged between safe traditionalism and blurry attempts at progression. For the last decade-plus that "progression" has seen R&B music become more indebted to trap records and the moody atmospherics of alternative bands like Radiohead, Coldplay, or My Bloody Valentine.
Well, I don't think with blues I could get around it. It was in my house since I can remember, you know. My mother's from Monroe, Louisiana. My dad is from somewhere in Texas. And between the both of them, it was a lot of blues in the house. I had a stepdad, too, who was even more into blues. So I couldn't get away from it. And I loved it from the first time I heard it.
The gift of skaiwater's best music is its unique shape, blown-out underground rap styles carefully folded into delicate origami. Forget every preconceived notion you might have about 'rage rap' and put on 'rain'-it's so pretty, a butterfly fluttering around a bomb site. On that album, skai harnessed beat drops like wrecking balls crashing into the walls of their heart.
January is the month where music is moving underneath the surface, feeling out the venues, plotting and planning for those great days under the sun, at a festival. If you are a globe-trotting DJ or band, January is the month you're finishing up those FaceTime calls with managers and bookers, and plotting out which month you'll be on the road playing the Empty Bottle in Chicago, the Iron Horse in Northampton, MA, or the Continental Club in Austin, TX.
The staff of Pitchfork listens to a lot of new music. A lot of it. On any given day our writers, editors, and contributors go through an imposing number of new releases, giving recommendations to each other and discovering new favorites along the way. Each Monday, with our Pitchfork Selects playlist, we're sharing what our writers are playing obsessively and highlighting some of the Pitchfork staff's favorite new music.
With so much good music being released all the time, it can be hard to determine what to listen to first. Every week, Pitchfork offers a run-down of significant new releases available on streaming services. This week's batch includes new albums from Ari Lennox, Lucinda Williams, and Cat Power. Subscribe to Pitchfork's New Music Friday newsletter to get our recommendations in your inbox every week.
Over freakishly lucid, cybernetic production, Zel pens dope boy anecdotes and takes a scalpel to them, splicing, re-shaping, and overlapping his punch-ins as he fits them in wayward pockets. After years of SoundCloud-only singles, his first solo full-length is immediately up there as one of the most singular rap debuts of the decade so far.
In the midst of Grammy weekend, New Edition's L.A. tour stop at the Kia Forum on Saturday was a forceful statement on longevity and a reminder never to underestimate the power of R&B. Seeing all six members of the iconic vocal group on stage for a sold-out crowd more than four decades after their careers began reflects a group still fully present, with a visible love for the music they continue to perform.