Running out of a tiny kiosk in Clerkenwell, Exmouth Cultural Kiosk is a secondhand bookstore and self-publishing project that sells books for as little as £2. The selection rotates often and can include everything from Tennyson to its own guide to Clerkenwell pubs.
Howard Jacobson writes characters at their wits' end; those characters are usually men, and those men are usually Jewish. Additionally, and problematically for both them and everyone around them, their collective wits are capacious: easily enlarged to allow idiosyncrasy to bloom into neurosis, preoccupation into obsession.
When you've written 23 books, it's a little frustrating to be known not even for a book, but for something that happened to a book in 1989—when that was my fifth published book and this is my 23rd. Can we please talk about books? I keep trying to say.
The SoA said the absence of any government measure to compel tech companies to label AI-generated output meant readers were struggling to distinguish between books written by a human, and machine-generated work based on AI models trained on copyrighted work without permission or payment.
Thatcher rose to power on the back of a campaign to Make Britain Great Again-a promise to reverse the previous two decades of austerity, imperial contraction, and stagnating modernization. By 1979, the country was undeniably in decline-not just materially but on a more ineffable level, too. Divested of the unifying effect of global superpower status, the increasingly dis-United Kingdom's common identity was now an open, and anxious, question.
What, you wonder, could possibly have prompted the powers that be to commission an adaptation of a postwar allegory that throws into dreadful relief the impulse to tyranny, the fragility of democracy and the brittleness of our veneer of civilisation in this shining year of 2026? We may never know. Did I mention it takes place on an island in which all normal social rules no longer apply and the inhabitants are protected from any punishment or consequence, no matter what appetites emerge?
One of Vija Celmins's wonderful Night Sky works. Maybe one of her charcoal drawings of the cosmos, with a comet flaring across the surface. She conjures up such immensity, and such intimacy, with countless tiny points of light shining out of the darkness. Which cultural experience changed the way you see the world? In a word, Paris. After I left school, I spent several weeks working in Paris and discovered the pleasures of looking, on my own, for myself.
Best known as a memoirist, Morrison returns to poetry after 11 years with a masterclass of lyric distillation and charged observation, demonstrating that nothing is beneath poetic deliberation. His subjects range from social and political justice to meditations on poetic heroes such as Elizabeth Bishop and sonnet sequences elegising the writer's sister. The interwoven specificity and occasional nature of the poems is captivating:
When I came across the idea for this novel a few years ago, I knew it was bigger in scope than anything I'd done before and I accepted that the research alone would be more demanding than anything I'd tackled in the past. When I finally sat down to write Adam and Eve I also realised, by the end of the first draft, that this was going to be my final novel,
As the trophy takes the form of an elusive UFO, Corey Fah an outsider unfamiliar with the baffling inner workings of the system is unable to collect or even confirm the award. Waidner has said that the novel was partly inspired by the experience of winning the Goldsmiths prize for their previous work Sterling Karat Gold, and by the ephemeral nature of success, with its unfamiliar contexts of social power and opportunity.
"Miss Havisham is a quite extraordinary figure" she said, "it's just so interesting to see this woman who decides 'I'm independently wealthy and I'm going to have a child even though I haven't got married.' "It's fascinating that a male author came up with the idea of a woman bringing up a beautiful young woman to break men's hearts, to get her revenge on men."
In addition to writing fiction, you're a staff writer for the and a screenwriter. How do you think of your career? I think of myself as a storyteller. I'm nosy, so once I'm telling a story, I want to know what happens. I do find, with fiction, I can't toggle in and out of it. It's like acting, where you have to stay with that character, in that world.