The musical at the end of the worldThe End uses the musical genre to explore themes of false hope and existential despair in a post-apocalyptic setting.
FilmWatch Weekly: Tilda Swinton and Michael Shannon sing in 'The End,' Richard Gere regrets in 'Oh, Canada,' and much more * Oregon ArtsWatchOppenheimer's latest film merges musical storytelling with a dystopian narrative but struggles with execution and character depth.
The End review post-apocalyptic musical with Tilda Swinton is catastrophically self-indulgentThe End's ambition is overshadowed by its bloated runtime and uneven execution, despite impressive production design and timely themes.
The musical at the end of the worldThe End uses the musical genre to explore themes of false hope and existential despair in a post-apocalyptic setting.
FilmWatch Weekly: Tilda Swinton and Michael Shannon sing in 'The End,' Richard Gere regrets in 'Oh, Canada,' and much more * Oregon ArtsWatchOppenheimer's latest film merges musical storytelling with a dystopian narrative but struggles with execution and character depth.
The End review post-apocalyptic musical with Tilda Swinton is catastrophically self-indulgentThe End's ambition is overshadowed by its bloated runtime and uneven execution, despite impressive production design and timely themes.
The New Movie That Flips the Musical on Its HeadDana Stevens discusses the theme of self-delusion in cinema, highlighting Joshua Oppenheimer's film The End and its chilling portrayal of complicity in societal destruction.
Billionaires in a bunker: Tilda Swinton and Michael Shannon's apocalyptic musicalJoshua Oppenheimer's film 'The End' creatively tackles climate disaster and moral accountability through a musical narrative.