In 1971, Manolo Blahnik created shoes for the designer Ossie Clark's catwalk show in London. Relatively new to shoemaking, the Spanish designer forgot to put steel pins in the heels of the shoes, which meant that models wobbled, unbalanced, down the catwalk.
From dawn to dusk Muslims fast from food and distraction, with sunset being an energy-shifting moment. Programming this pause into one of the fashion industry's most tightly scheduled weeks was deliberate. As soon as I found out that fashion week would fall [now], I had to incorporate it. This collection was built around the themes of Ramadan.
Our small crew stayed in the Saadia riad, where rooms overlooked a courtyard lined with Moroccan zellige (tilework) and intricately carved arched balconies. The interiors were a labor of love by the family of Caid Azzi Boujemaa, a former palace worker who was gifted the Riad in the early 20th century as a thank you for his loyalty. In the early 2000s the property was restored by the La Sultana hotel group,
Yes, the purply-pink hue of a 1990s mother-of-the-groom's duster coat is now the height of chic on cheeks, lips and even eyes. It's just euphemistically called cool toned, which in practice translates as traditional nude makeup tones such as dark brown, caramel, taupe, pink and beige, customised with a mild mauvey tinge to reduce their respective temperatures.
She was an incredible actress, very powerful. She wasn't frightened. She always went for the risky things in life. This fearless pursuit of risk was manifested in the collection's striking pieces, where dresses featured rough, open seams that twisted and draped unpredictably, creating an intimate yet anarchic fall wardrobe.
Fifteen years after the death of Lee McQueen, the brand is struggling to maintain momentum. The founder is a hallowed name in the fashion industry, and one of the few modern designers to whose character and story the wider public feel a connection. But the generation who wore McQueen's original bumsters have aged out of shock-value fashion, and the name has less power over younger consumers.
As an interdisciplinary artist, Madita defies simple categorisation, moving fluidly between the worlds of fine art, fashion, and performative expression. In this photo editorial, Madita proves that the artist and the artwork are often the same.
Rosie's Naked Shoes: Stepping out of her hotel, Huntington-Whiteley donned a pair of barely-there black leather pumps with transparent mesh fabric, adding a sheer contrast to her covered yet avant-garde look. She tucked a skin-tight black turtleneck sweater under a pair of brown suede trousers, featuring an asymmetrical low-rise waistline and a long halter-like drawstring that wrapped around her neck.
That past is his - it is the 20th anniversary of his label, and accordingly he decided to embrace, engage, even embed himself in his own history. Which, in and of itself, is a history of histories - Moralıoğlu's office is peppered with random 1930s portraits (the ones his husband, the architect Philip Joseph, won't let him keep in their Bloomsbury home) and old, time-warped issues of Vogue, as well as overflows of books on everything from Merce Cunningham to Alfred Hitchcock.
This collection captivated audiences with its rich narrative, reflecting the dichotomy of overwhelming love intertwined with frustration and inner turmoil. Kucharska's latest offering approaches the multifaceted journey of motherhood, encapsulating a complex emotional landscape that balances strength and vulnerability. The pressure to endure coexists with a fierce longing for protection and safety, creating a powerful tension that resonates across her designs.
Choosing a particular model does not necessarily mean focusing on excessive colour, but rather knowing how to identify the lines and volumes that communicate a precise aesthetic vision that breaks with convention. This process requires a certain awareness of materials and proportions, as a shoe with a strong design has the ability to transform even the simplest outfit into a sophisticated and modern style statement.
The end of the show did not mark the end of the trip. Back at the Le Grand Bellevue the group divided between fireside hot chocolates and the hotel's spa. The hotel's Le Grand Spa is over 3,000 square metres and has eight different types of saunas, several ice showers, foot baths and an outdoor bubble pool (named thus as it's bigger than your standard jacuzzi).
Fashion is very good at announcing returns, and it is less interested in accounting for what happens in the time in between. Designers disappear, reappear and are soon asked to explain themselves, preferably in the language of growth. London-based designer Nicomede Talavera has done this twice already. His new collection under his eponymous label Nicomede, Sacred Journey, is somewhat of a third arrival, serving as a reminder that stepping away can sharpen a vision, not dilute it.
In the show, "dirty" extends to anything that breaks fashion's pact with propriety. Here are clothes caked in grime, blotted with makeup, stiffened by salt, pieced from trash, frayed, and faded. The garments span decades, from the 1980s through the mid-2000s, when the likes of Vivienne Westwood and Jean Paul Gaultier built their fame on defying convention, to today, when corporatization has made such daring increasingly rare. But forgoing practicality frees certain designers from the demands that the body be polite-and thereby policed.
Travelling for art can be incredibly virtuous and culturally rewarding, like collecting souvenirs for your eyes (and from the post card rail in the gift shop). Remembering to research what is on before I book flights is a lesson I learnt all too well after I missed the Metropolitan Museum's fashion exhibition in 2016 by one day. As a fashion obsessed 20 something, I did not take this well and have since improved my itinerary planning and exhibition calendar checking.
There are shifts in fashion that arrive without noise. They don't demand attention, yet they gradually reshape the way people dress with surprising clarity. The renewed presence of women's suits fits into this kind of quiet transformation. It isn't about looking back or reviving old dress codes. It reflects a growing appetite for clarity, intention and proportion - qualities that feel increasingly valuable in a moment defined by constant visual stimulation.
It captures seven different femininities during an all-day pool party, enjoying themselves while revealing their distinctive styles. Creative Direction, Production & Styling by Maria Gkin. Photography by Eliza Poultidou. The models are Vanessa Otilia, Cyka, Alvina Chamberland and Angelica Komninak. The concept examines the thin line between what is seen as acceptable and what has been labelled ugly or immoral, explored through each woman's personal story. Textures, colours, makeup and styling come together, breaking down stereotypes and highlighting fashion as a means of freedom
What exactly Giorgio Armani looks like without its eponymous founder at the helm has been the burning question in the fashion industry since the designer's death in September. In Milan on Monday afternoon, it got its answer as the designer's collaborator and right-hand man of four decades, Leo Dell'Orco, made his debut at the Italian fashion house where he will oversee menswear for the foreseeable future. It was the first Armani collection in which the late designer had no involvement.
I first visited The Fall Bride for my best friend's first wedding dress appointment, and immediately fell in love with the space. Squirrelled away in the Dalston backstreets, this bright, soothing store is the ultimate go-to for brides looking for elegant, hand-picked dresses from a series of world-renowned designers. So, as soon as I got engaged, I booked an appointment for myself - and it didn't disappoint the second time round.
For the past few years I have planned my outfits around my obsession with pleated trousers, or my latest experimental jean shape. Or I have worn dresses. Sometimes I have ended up in a skirt, but the skirt was kind of an afterthought. For instance, at one point last year when it was chilly and I needed to look smart as well as cosy, I picked out a sweater and a pair of knee-high boots,
Play Hard captures the essence of growing up surrounded by the echoes of empty arcades, the chill of coastal winds, and fleeting moments of joy found in skateboarding culture. It reflects on personal memories shaped by resilience, freedom, and creativity in an environment where opportunities were scarce. The collection embraces an aesthetic that values imperfection, emphasising the beauty found in fragility and the strength derived from community.
Looking back at 'em through rose-tinted glasses, the 2010s seemed like they were a much better time. London hosted the Olympics, Sherlock was on the telly, and everyone was wearing Joni jeans and tea dresses from Topshop. Could things be returning to the simpler days when all you had to worry about was how tight your skinny jeans were and how to get the perfect side parting? Maybe, because Topshop is making a comeback to British high streets.
Studying abroad in Florence was one of the best decisions of my life for a multitude of reasons-I lived like a true local, ate some of the best meals I've ever had, deepened my appreciation for art and history, learned Italian, and was able to travel to five countries and two continents in just three and a half months. But most importantly, it immersed me in a culture where personal style is second nature, quickly teaching me how to dress in a sophisticated, timeless,