#liberty-art-nouveau-architecture

#liberty-art-nouveau-architecture

Duchamp's 'Fountain' is the message that brings us the news. No longer was art judged by skill, craftsmanship, even beauty - it could be anything an artist called art.

The apartment navigates two opposing conditions: the tranquil greenery of the Taiwan Contemporary Culture Lab to the south, and the bustle of a major commercial boulevard to the north.

The longer we wait, the more difficult it will become to remedy the damage. Since 2019, state funding had all but dried up, forcing the foundation to auction works to raise funds to continue the restoration of both the iconic building and its many site-specific works.

I like to create a small universe. From the master plan to the doorknobs, from the trees planted outside to the way people will sit and eat and dance inside, you create and control a whole microcosm.

The style is characterized by raw, exposed concrete and bold geometric forms. You've certainly seen it before in many cultural and civic buildings built between the 1950s and '70s. With countless examples spanning countries and continents, the look has both historical significance and remains popular-particularly in residential design-today.

Gropius, who from 1919 to 1928 directed the Bauhaus in Weimar and Dessau, designed the house in 1921-22 for lawyer Fritz Otte. The property is considered a dramatic evolution of Gropius's earlier seminal Haus Sommerfeld, which was also located in Berlin, but destroyed in World War II. The Bauhaus founder embraced a forward-looking approach with an unadorned, sharp-edged structure that rejected the heaviness of 19th-century historicism.

Designed by noted residential architect Roland E. Coate, the home was built in 1926 for Annie Wilson, daughter of pioneering Southern California businessman and politician Benjamin Wilson, for whom Mt. Wilson is named. The gently sloping 1-acre-plus property was once part of the vast holdings of George S. Patton, father of the famed U.S. general.

I fell in love with painting when I discovered Monet's water lilies and this idea of painting something that's in movement. And then I got obsessed with the face and the portrait, which is a bit the same, this kind of fleeting aspect of identity that you cannot really grasp or catch.

Traveling to different home trade shows is a big part of my job, and sometimes it's hard for me to fully turn my editor brain off after a day of scouting new products and design trends. The fallout? I'm always looking at my surroundings and snapping photos of clever decorating ideas I see "in the wild." And what I mean by that, of course, is that every restaurant, museum, hotel, store, and so on has something to share.

One of those timeless items is the instantly recognizable federal-style convex mirror. These gilded mirrors have been adorning American dining rooms and foyers since the 1700s, when the centuries-old European style was given a uniquely American touch - an eagle sitting proudly on top. Looking to add a touch of American history to your home? Authentic federal-style mirrors dating back to the United States' earliest days are going to run you into the many-thousands of dollars, there are also reproductions that have been made for decades. Here's what you need to know about federal-style mirrors, how to source them, and how to style them in your own home (even if they're the only Americana piece you ever collect!).

There's something about trendspotting in France that just hits differently. Maybe it's the Haussmannian architecture, which provides such a charming backdrop that you almost don't even notice you're literally running from showroom to showroom. Or maybe it's the fact that some of the brands on display truly are new - and in some cases, not even available stateside yet. Whatever the reason, I look forward to Maison&Objet and Paris Déco Off, two furniture- and textile-forward events in Paris, each January.

Postmodernism began as a critique of modernism's exhausted promises. By the late 1960s and early 1970s, many designers no longer treated modernism as radical or socially redemptive. Urban renewal projects accelerated the demolition of historic neighborhoods, and landmark preservation battles raised urgent questions about what the United States valued and, ultimately, protected. The loss of major civic icons, including New York's Penn Station, sharpened public awareness that progress often arrives through erasure.

MADRID - The most famous portrait of Maruja Mallo depicts the artist covered from head to toe in seaweed. She is crowned and draped with long, rope-like strands of kelp, her arms raised triumphantly like an all-powerful marine goddess. This unconventional photograph, snapped in 1945 by the poet Pablo Neruda on a Chilean beach, was no doubt carefully orchestrated by the Spanish artist, who viewed herself as an extension of her unique work, where female energy is a conduit for natural and even cosmic forces.

Inspired by Margot's post last week on the stellar, nontraditional kitchens she spotted on the websites of European real estate firms, I found myself perusing the listings of my favorite U.K. agency, The Modern House, and there, I came across an especially dreamy offering: a rambling two-acre, multi-building property purchased by a pair of artists, Leila El-Kayem and Sophie Mayer, who lovingly transformed the dilapidated Victorian walled garden into a stylish retreat that's appealingly rough around the edges.

Ba-rro: "Our starting point is always the context and what already exists." We are interested in recognizing the value of things simply because they are there, without assuming that everything must be preserved as a matter of principle. The question isn't what can be kept, but what deserves to be kept in each specific project. The decision to preserve, reveal, or remove doesn't stem from universal values or a nostalgic impulse, but from a situated interpretation: