The Bandera Cimarrona, a flag conceived at the first edition of the International Summit of Afro-descendants in Puerto Rico in 2022, stands as a symbol of the resistance, the pursuit of freedom, and the strength of Afro-descendants on the island and throughout the Americas.
Laterite deposits are created by intense humidity and tropical weathering of rock and so they form in the tropics, often in hotspots for biodiversity and rich, intact rainforests. These deposits account for about 70% of the world's reserves of nickel, a mineral now in high demand for manufacturing batteries, especially for electric cars and clean energy infrastructure.
A sprawling tale of two Singapores, the short documentary Sandcastles draws connections between Singapore, Michigan - a 19th-century ghost town swallowed by sand following widespread deforestation - and the island country of Singapore, where rapid development and land reclamation has, for decades, been enabled by the importation of sand. More poetic exploration than call to action, the work surveys waterways, cycles of development and the transient nature of sand - deceptively sturdy over short timescales but, over decades, quite volatile.
Visually striking and intricately crafted, the traditional armour and weaponry of the Kiribati islands in the Pacific Ocean were built from coconut fibre, human hair, sharks' teeth and porcupine fish. Yet, fearsome and lethal as these objects were, the people of this remote archipelago weren't especially warlike, as British colonists had long assumed, but were instead part of a ritualised style of combat intended to keep violence between clashing groups to a minimum.
Archaeologists have discovered what they believe is the world's oldest known rock art, in a cave off the island of Sulawesi, Indonesia. The hand stencil has been dated to at least 67,800 years ago, making it 1,100 years older than the earliest example of rock art that was known about before this, produced in Spain by Neanderthals. The Sulawesi work may, its finders say, provide insights into the migration of early humans to Australia.
The only thing most people know about epiphytes, if they know about them at all, is that they're rootless. That's not quite true - they develop highly specialized root systems adapted to wherever they land. In Epiphytic Elucidations at Patel Brown Gallery, Calgary-based artist Marigold Santos takes this fact as more than a metaphor. The exhibition uses epiphytes - plants that grow on other plants without harming them - as a framework for the expansive ways diasporas form through material labor.