#maurice-dubois

#maurice-dubois

The apartment navigates two opposing conditions: the tranquil greenery of the Taiwan Contemporary Culture Lab to the south, and the bustle of a major commercial boulevard to the north.

The Aubusson Tapestry Museum is situated in an exceptional context shaped by a rich history and a powerful natural environment. The Creuse capital of tapestry has been marked by its history since the royal manufactory of the 14th century.

Jasper Johns seemed to reject the tortured, in-the-moment 'I' of Abstract Expressionism, ironically commenting on the heroism and spontaneity associated with Jackson Pollock and Willem de Kooning in his early work.

At the official launch last November, the current culture minister Rachida Dati described the imperative behind the programme as not just celebrating an uncommon visionary but the "burning relevance" of his legacy: "a commitment to continuing to nurture this demanding idea of what culture is".

In the 1880s Seurat was the leader of the avant-garde group of painters who used pointillist dots of pure colour to create their pictures. The eye blends Seurat's colours harmoniously, giving his paintings a luminosity and vigour.

"This first pleasant experience with a modern painting started me on a road of adventure that has been both exhilarating and satisfying," Pearlman once said of another painting by Soutine, called Village Square. "I haven't spent a boring evening since that first purchase."

The question of how fashion is archived - what enters the museum; what is deemed worthy of preservation; whose clothes are considered culturally significant enough to outlast the bodies that wore them - has long sat uneasily at the centre of fashion history itself. Institutions have tended to answer it, or ignore it, in much the same way: couture gowns under glass, luxury garments mounted on conservation-grade mannequins in blockbuster exhibitions - an implicit hierarchy of the designed over the worn, the authored over the anonymous.

CultureClic is one of the most comprehensive French art apps available. Designed as a mobile-first discovery tool, it maps out more than 1,350 museums across France and highlights hundreds of geolocated artworks, photographs, and historical engravings. The app is particularly strong in Paris but also features content in cities like Bordeaux, Lyon, Marseille, and Avignon. What sets CultureClic apart is its use of augmented reality, allowing users to visualize artworks and historical documents in context.

In his expressive, large-format works, Proux stages humans in the field of tension between industry and nature in the context of 21st century's late capitalism. Depictions of workers in offices, factories and warehouses are juxtaposed with light-flooded scenes of people and nature.

Born in Paris in 1936 to German-Jewish parents who fled the Nazis, his family survived the war in hiding in south-western France. Rosenberg first arrived at the Louvre in 1962, at the invitation of Charles de Gaulle's minister of culture, later heading up the department of paintings during the museum's dramatic relaunch in the 1980s and early 90s, symbolised by the 1989 completion of I.M. Pei's sculptural entrance, the Louvre Pyramid.

On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.

The longer we wait, the more difficult it will become to remedy the damage. Since 2019, state funding had all but dried up, forcing the foundation to auction works to raise funds to continue the restoration of both the iconic building and its many site-specific works.

Belleville has always been a little bit rowdy, whether it meant to be or not. Long before it was folded into Paris in 1860, it existed as its own working-class wine village perched on a hill, slightly removed from the city both geographically and ideologically. In recent years, as Paris's 10th and 11th arrondissements have slid fully into hipster territory, and even the gritty Barbès neighborhood feels increasingly polished, Belleville has held onto its identity with surprising resolve.

Léribault's first mission, according to Macron, will be the "appeasement" of a museum which has been badly hurt by the theft of France's crown jewels on 19 October and a string of scandals since then. He will need all his diplomatic talents to face the unions, who have led an unprecedented series of strikes, asking a rise in wages.

The foundation's collection is exceptionally large, encompassing more than 10,000 items-including thousands of drawings, over 400 sculptures, 100 paintings, a whole collection of decorative objets d'art, prints, everything that was in the studio, all the archives. Most of the collection has never been exhibited.

Influenced by the works of Hopper and Hans Hofmann, Mitchell Johnson: Personal Color (Selected Small Paintings 1988-2026) is shaped by decades of visits to Paris and Cape Cod, two places that have anchored and evolved Johnson's painting over the course of his career. Hofmann, through his teaching, transported the aesthetics and concerns of the School of Paris across the Atlantic, eventually creating a group atelier curriculum that would expand the breadth of American Modernism through his theory of push and pull.

If you've walked around any of France's cosmopolitan cities in recent years, you're sure to have come across some stunning murals. Painted onto the side of buildings, in hidden corners, and just about anywhere an artist can paint, street art is booming. We're not talking old-school graffiti here, hastily sprayed names on walls, and anti-social stuff like that. Today's street art is commissioned by city or town councils and created by prominent street artists from around the globe says Suzanne Pearson.

Running from March 17 to July 19, 2026, Renoir and Love will be one of the top special exhibitions of the year in Paris. Celebrating how affection, connection and human relationships shaped Renoir's work during a defining period of his career. Bringing many key works together for the first time in decades, the exhibition offers a fresh perspective on how Renoir approached love not as an abstract ideal, but as something lived and experienced within the changing social life of late-19th-century Paris.

Manet & Morisot at the Legion of Honor is a somewhat scholarly exhibition on the lives, work, and friendship of two eminent French 19th-century artists. While it sets out to rescue Berthe Morisot from a long-held assumption that she owed her art to the influence - even guidance - of Édouard Manet, the show is far from an academic or revisionist experience. Instead, after seeing their work compared and contrasted across a handful of galleries, the word that comes most immediately to mind is "pleasure."

The artist is known for his absurdist paintings of animals with overly long legs, contorted bodies, or myriad mutant-like heads or limbs. They're often set amid woodlands or meadows evocative of 18th- and 19th-century academic landscape paintings or depictions of formal hunts. Instead, both domesticated and wild animals graze as normally as they would without dozens of heads or udders attached in unnatural places around their bodies.

As an editor, you learn to pay attention to the nuances of language. How we phrase something can speak volumes about our perspectives. Some words are fine in one context, but in another they might be detrimental. "Victim" is an example - who wants "victimhood" to encompass their whole person? And possessives are a minefield of power relationships; for instance, a person experiencing mistreatment at the hands of a partner should be defined by neither the treatment nor the tormenter