I wanted to write a book about how the smartphone changed the world, but the more I researched, the clearer it became that phones were actually the latest step in this evolution of storytelling technology that stretches all the way back to prehistoric times.
For decades, we smallfolk have been told that goodness is naïve, that moral grayness is sophistication, and cynicism is cleverness. Turns out, we do not want it. Most of us can only take an endless string of villains, liars, and normalized nastiness for so long. Our battered nervous systems want a hero to root for who would not lie to us or betray us.
Looking to the Middle Ages for answers to the perennial puzzles of life can seem quaint, even artificial, a long reach across centuries marked by violence, hierarchy, and exclusion. And yet medieval culture offers a way of thinking about love that still speaks to the present. If love is most urgently tested in moments of strain and upheaval, then it is in those moments - where care is stressed or obscured - that its meaning comes most clearly into view.
The Household and Wardrobe Accounts are English records that document the daily needs of the king and his family. This book serves as a guide to these sources, showing how they can be used and what valuable insights they offer into medieval government.
What, you wonder, could possibly have prompted the powers that be to commission an adaptation of a postwar allegory that throws into dreadful relief the impulse to tyranny, the fragility of democracy and the brittleness of our veneer of civilisation in this shining year of 2026? We may never know. Did I mention it takes place on an island in which all normal social rules no longer apply and the inhabitants are protected from any punishment or consequence, no matter what appetites emerge?
Writing was created in response to the need to communicate over long distances in trade and, initially, was focused on the purely practical aspects of record-keeping. Scribes in ancient Mesopotamia recorded what commercial goods had been shipped to which destination, their quantity, purpose, and cost.
Renais­sance artist Albrecht Dür­er (1471-1528) nev­er saw a rhi­no him­self, but by rely­ing on eye­wit­ness descrip­tions of the one King Manuel I of Por­tu­gal intend­ed as a gift to the Pope, he man­aged to ren­der a fair­ly real­is­tic one, all things con­sid­ered.
At first sight, Winslow Homer's " The Brush Harrow," which depicts two young boys, a horse, and a harrow against an arid landscape, evokes a feeling of somber isolation - but it's hard to pinpoint why. During a talk by curator Horace D. Ballard at the Harvard Art Museums on Jan. 29, visitors learned that Homer painted the scene in 1865, as the Civil War was ending, making the emotional underpinnings of the work clearer.
CHARM is built around a large-scale survey of material connected to three major writing centres-Turku, Naantali, and Viipuri-in the 15th century. By comparing charters and book fragments together, the researchers aim to map how writing practices were adopted, modified, and localised, and what that meant for society and administration in a region that was then part of the Swedish realm.
While working on a graduate school paper on the mystical powers of coral, gemologist Anna Rasche ventured deep into the archives of the Cooper Hewitt Smithsonian Design Museum's library. Coral is the most powerful material to ward off the evil eye-a belief Italians have held since ancient times. Romans often gifted newborns coral amulets to prevent sickness and bad luck.
This open-access book brings together more than thirty essays on languages and the ways they develop, interact, and influence one another. Its main focus is the Middle East, where Hebrew, Arabic, and Aramaic long existed side by side and often overlapped in everyday use, scholarship, and culture. In line with Geoffrey (Khan)'s commitment to the maximally accessible dissemination of research, this Festschrift has been published in both open-access digital editions and affordable printed formats.
In this volume, the authors aim to provide a truly global overview of the 14 century, with each region given approximately the same space. It is obviously impossible to cover every event in every country of the world in a single volume, just as you would not be able to visit every city in every country if you traveled around the world for a year.
In this book of moons, I am writing for people for whom the medieval world and its literatures and arts may be unfamiliar. I hope that in telling the stories of medieval moons, I also introduce these readers to the wonderful, mesmerising realm of medieval texts and images. But I also hope that this book may be useful to those with greater familiarity with medieval languages, literatures, and arts.
Abū Nuwās's poetry is sheer joy: it never fails to delight, surprise, and excite. His diwan, his collected poems, encompasses the principal early Abbasid poetic genres: panegyrics ( madīḥ), renunciant poems ( zuhdiyyāt), lampoons ( hijāʾ), hunting poems ( ṭardiyyāt), wine poems ( khamriyyāt), love poems ( ghazaliyyāt) to males ( mudhakkarāt) and females ( muʾannathāt), and transgressive verse ( mujūn).
Imperial Roman ethnography was a gift the Romans made for themselves, because it embraced concepts with which they could address the great cultural diversity of their world. It was a gift that came from the conquerors, reflecting their supposition of preeminence. At the same time, Roman ethnography was a somewhat less welcome present for the many peoples who found themselves trapped in Rome's vision, needing to find a place within it that made sense to Roman demands.
The Last Kingdom (2015-2022) is a historical fiction TV series based on Bernard Cornwell's The Saxon Stories novels and adapted for television by English screenwriter Stephen Butchard. With five seasons, the show began as a BBC production and was later acquired by Netflix. Filmed in Hungary and Wales, it is based on English history during the 9th and 10th centuries, as the Anglo-Saxon kingdoms fought against the invading Vikings.
In this paper we investigate whether infant and childhood feeding practices influenced the imbalanced adult sex ratio reported in medieval Europe from historical and osteological evidence. First, we examine hypotheses for the observed imbalanced sex ratios in Europe and the evidence presented to support these hypotheses. We then use stable isotope analysis (δ13C and δ15N) of incremental dentine in 64 first molars from adults at three medieval sites (Aulla, Badia Pozzeveri, and Montescudaio) in north-western Tuscany (11th-15th c. CE).
This is a book about a book: the small, cropped, somewhat ragged but brightly illustrated volume now known formally, and rather forbiddingly, as British Library MS Cotton Nero A.x/2. The fame and beauty of its four Middle English poems have given it sobriquets beyond the shelfmark, however, which are more familiar and intimate: it is also the Gawain-Manuscript or, as I will call it, the Pearl-Manuscript.
This project will focus on the Camaldolese hermits' proposal for achieving what they considered to be the most crucial task in the repair of the church, eliminating Islam and all Muslims. Our study will begin with an examination of the recipient of the Libellus, Giovanni de' Medici, who would become Pope Leo X. Next will be an exploration into the backgrounds of Paolo Giustiniani and Pietro Querini,
When universities began to emerge in Europe during the eleventh and twelfth centuries, they soon became important centres of knowledge. Their libraries could hold hundreds of books, and many of the most valuable volumes were kept under close control - sometimes even chained to desks. We have few details about how medieval university libraries operated, but a revealing set of rubric headings survives from the University of Angers in western France.
