#music-criticism

#music-criticism

Francis Davis, influential jazz critic, passed away at 78, leaving a significant legacy in music journalism and cultural critique.

Francis Davis, notable jazz critic and husband of Terry Gross, passed away, leaving a lasting legacy in the jazz community.

Music critic roles have evolved, but their importance seems diminished amidst modern media and fan culture.

Pitchfork expands its music criticism with three new columns, showcasing distinct perspectives and empowering vital voices in music journalism.

Critics can be fickle, as shown by the contrast between Charli XCX's acclaim and her personal views on musicals.

The Slate Music Club has transitioned to a podcast format to discuss the musical developments of 2024.

The podcast discusses the lack of ska representation in '90s music, focusing on its cultural significance with guest Rob Harvilla.

Katy Perry's recent career has seen a decline, marked by uninspired music and questionable public choices.

Her forthcoming album 143 raises questions about her ability to reconnect with audiences.

Katy Perry's recent song "OK" has sparked backlash, particularly from a former contestant she eliminated on "American Idol," highlighting a shift in her musical identity.

Jennifer Lopez's sequel album fails to resonate, reflecting a lack of genuine emotion and a troubling return to the past.

Katy Perry's new single is criticized for its tone-deafness and controversy, marking a low point in her career.

Musical evaluations are subjective and often shift based on current events and trends.

The initial excitement of a revitalized pop scene has turned into disappointment over stagnation.

Pop music's landscape indicates a desire for catharsis over mere entertainment.

Recent music releases feature diverse new tracks from various artists, recommended by Jon Pareles.

Halsey creatively refutes a critical review, turning it into a promotional opportunity highlighting positive interpretations of her work.

Halsey creatively engages with criticism from Pitchfork after receiving a low score for her album The Great Impersonator, showcasing her duality as an artist.