The growing Aadam Jacobs Collection is an internet treasure trove for music lovers, especially for fans of indie and punk rock during the 1980s through the early 2000s.
Drivers were delivering packages in deadly heat with no air conditioning; part-time employees, the majority of UPS' workforce, have been unable to receive benefits. Wages aren't rising at the same rate as the cost of living.
Riot Queens, takes that real act - which sparked San Franciso's 1966 Compton's Cafeteria Riot, the first known full-scale riot asserting transgender and gay rights in the U.S. - and explores the emotional boiling point that led to it.
Bad Bunny's Super Bowl halftime show has drawn criticism from the country's top Republican: Donald Trump said it was "one of the worst, EVER!" in a post on Truth Social. Strong words from the president - but this isn't the first time a musician has drawn ire from right-wing politicians and conservatives. Stars like Lady Gaga, Cardi B, Taylor Swift, Beyoncé, and Bruce Springsteen have riled up conservatives, often over progressive themes or sexual lyrics in their music.
On Jan. 28, 2026, Bruce Springsteen released "Streets of Minneapolis," a hard-hitting protest against the immigration enforcement surge in the city, including the killings of Renee Good and Alex Pretti. The song is all over social media, and the official video has already been streamed more than 5 million times. It's hard to remember a time when a major artist has released a song in the midst of a specific political crisis.
In early January, at the Shrine Auditorium in Los Angeles, a concert benefit for Palestine and Sudan conjured all the fury of an acoustic night at the local coffee shop. Musicians played stripped-down songs on a stage decorated with rugs, floor lamps, and couches. Members of the audience, mostly 20-somethings and teens, leaned in and filmed intimate performances by their favorite cult artists.
As if demolishing the East Wing, gutting arts agencies, and slapping his name and face on several federal buildings weren't enough, the US president now wants to do away with a DC building known as the "Sistine Chapel of New Deal art." This week, we reported on a burgeoning campaign to save the Wilbur J. Cohen Federal Building, which houses murals by Ben Shahn, Philip Guston, Seymour Fogel, and other major American artists. We will continue to follow this story.
He sings the names of the dead haltingly, as though he is reading them off a screen-which, judging from the recording-studio footage in the song's lyric video, he probably is. The song is about the news, but it is also, perhaps unintentionally, about the moment of lag when we absorb the names and images, when we try to assimilate atrocity into narrative.
When Norman Sylvester was 12, long before he garnered the nickname "The Boogie Cat" or shared a stage with B.B. King, he boarded a train in Louisiana and headed west, toward the distant city of Portland, Oregon. He'd lived all his life in the rural South, eating wild muscadine grapes from his family's farm, fishing in the bayou and churning butter at the kitchen table to the tune of his grandmother's gospel singing.
ICE killed another American citizen on Saturday, so here's a list of five anti-ICE songs you can listen to right now. As music journalists we often struggle with how to respond to tragedies like this one. I don't have unreleased facts to share, or some vast network of activists to call upon. What I do have is my anger, alongside decades of practice working through difficult emotions with music.
Last summer, I did face painting at a block party in my Brooklyn neighborhood. In the sweltering August humidity, I rendered pink butterflies and Spiderman webs on tiny, sticky faces; unsurprisingly, my designs didn't last very long in the bouncy castle. Except for the glitter. For weeks, I found it in my hair, on my cats, in my sink, and in random corners of the house, migrating to and fro like dandelion fuzz.
On a cool winter night in Los Angeles, dozens gathered to protest the Trump administration's attacks on the arts and the recent federal immigration raids in southern California. But these protestors didn't carry signs or chant in front of a government building they recited poems such as Antifa Tea Party and Love in Times of Fascism. They performed anti-fascist improv to a small but lively crowd at The Glendale Room, a library-themed theater, as part of the monthly show Unquiet: A Night of Creative Resistance.
